Xi Chuan in Seattle

Under the title “American Poetry Culture & Chinese Culture,” Seattle-based cultural figure Paul Nelson (who earlier interviewed Xi Chuan) has a write-up of Xi Chuan’s reactions to Seattle & American poetry, and his recent reading at the Seattle Central Library with Paul Manfredi. I particularly liked Nelson’s description of the following:

The Q & A session after the reading was remarkable due to Xi Chuan’s thoughts about contemporary Chinese culture, saying that tourists want to visit the “old China”, that it has been part of Chinese culture for a long time to bulldoze most of the buildings of previous dynasties and that there is a symmetry issue with adding cars and roads, but leaving pre-auto landscapes. He said modern American cities like New York, Chicago and Seattle had been the model for China’s building spree, but now it is Paris and London. He kept saying “it’s complicated” a negative capability reflected in his poetry, a quality I appreciate. He also answered a question about memorizing old poetry, but gave a long chunk of an old poem that, even in the Chinese, did not seem easy to memorize and recite. He knows his stuff and related well to the older Chinese man who asked the question. The library event was after a long tour of Seattle that I took him on. He was able to recognize the Lenin statue from the back and was honored to see the graves of Bruce Lee and Denise Levertov.

Follow the link for the rest of the write-up and more pictures of Xi Chuan in Seattle.

China Daily on Path Light

The China Daily has an enthusiastic review by Chitralekha Basu of the recently published Path Light: New Chinese Writing, titled “One for the Ages.” The opening paragraph matches enthusiasm with detailed context:

This is a collector’s item. And not just because of its obvious historical importance. The first edition of Pathlight: New Chinese Writing magazine is a metaphor of the cooperation between Chinese and Western agencies – in this case, the influential People’s Literature magazine, edited by Li Jingze and the Paper Republic team, helmed by Eric Abrahamsen – to showcase Chinese literature to the rest of the world. What an absolute gem this slender 160-page volume is, in terms of the range of voices it covers, some of them translated for the first time. Kudos to the translators for bringing out the varied textures, emotions, cadences and even the visual appeal in some of the lines penned by the featured Chinese writers represent.

The review says less about the poetry: only,

The poetry section features six names, most of them born on the cusp of 1970. These, including the widely translated Xi Chuan, are seasoned, well-honed voices, who have been at their craft for a while, having evolved their own poetic idiom.

I loved the minimalist poems of Yu Xiang, especially the one about making friends with fellow women and then losing them along the way. It’s a very universal theme and quite unsentimentally put across.

I’m also a fan of Yu Xiang 宇向, and of Fiona Sze-Lorrain‘s translations. I have to admit, however, that I feel a bit queasy every time I see a reference to anyone–especially Xi Chuan–in the Chinese press that makes mention of being “widely translated.” Coming from a non-Chinese national such as Basu it’s probably no more than an objective–if relative–fact, or even praise of Xi Chuan’s border-crossing quality. But–and this may seem counter-intuitive to anyone not familiar with the political context of Chinese cultural standards–very often when certain Chinese figures talk about Chinese writers being “widely translated,” it comes with an insinuation that the writer is translated because his or her work is not “Chinese” enough (as if such a thing were quantifiable, or at odds with gaining an international following). Leaving aside the question of whether Xi Chuan is in fact “widely translated,” I’ve encountered situations where people have used this observation to denigrate his work–even when referring to what I think of as his most “Chinese” pieces!

Monday Evening in Seattle

from the Seattle Public Library’s web calendar:

Chinese poet Xi Chuan reads from works Jan. 9 at The Seattle Public Library
Xi Chuan

Chinese poet, essayist and translator Xi Chuan will read from several of his works, including “Yours Truly & Other Poems” and “Notes on the Mosquito: Selected Poems,” from 7 p.m. to 8:30 p.m. Monday, Jan. 9 at The Seattle Public Library, Central Library, 1000 Fourth Ave., Level 4, Room 1.

Xi Chuan at the MLA–Today!

from the MLA’s listing:

347. A Creative Conversation with the Chinese Poet Xi Chuan

Friday, 6 January, 5:15–6:30 p.m., Grand B, Sheraton

Program arranged by the Office of the Executive Director

Presiding: Christopher M. Lupke, Washington State Univ., Pullman

Speaker: Xi Chuan, Central Acad. of Fine Arts, Beijing

Session Description:

This session highlights the work of the renowned contemporary Chinese poet Xi Chuan and consists of a conversation between him and Christopher Lupke as well as questions and comments from the audience. Xi Chuan will read some of his poems. The session will be conducted in English.

As I mentioned earlier, I’ll be accompanying Xi Chuan’s reading with my English translations, and copies of the pocket volume A Song of the Corner 牆角之歌 from the International Poetry Nights will also be available. The event is open to the public.

诗东西 Poetry East West

A new double issue of the Beijing / LA-based literary journal Poetry East West 诗东西 is out, featuring poems by Xi Chuan in my translation and a grand host of other poets translated into & out of Chinese, from Diana Shi and George O’Connell’s Yu Jian 于坚 to Charles Laughlin’s Ma Lan 马兰 and Fan Jinghua’s Cheng Ying 成婴, along with Fan Jinghua’s 范静哗 translations of Derek Walcott, Li Li’s 李笠 translations of new Nobel Prize-winner Tomas Tranströmer, and others. Click on the link above for the full Table of Contents, or here for ordering and subscription information.

Xi Chuan at Seattle Public Library

Xi ChuanOn January 9, three days after Xi Chuan’s talk at the MLA, the Seattle Public Library will host a reading with him and Prof. Paul Manfredi in an event co-sponsored by the Elliot Bay Book Company.

This is from the Library’s press release:

[Xi] Chuan is the internationally award-winning author of five collections of poems, two books of essays, one book of criticism and a play. He has translated works by authors ranging from Ezra Pound to Jorge Luis Borges to Czelaw Milosz.

The program is free and open to the public. No registration is required. Parking is available in the Central Library garage for $5 evening rate. Doors will open at 6:30 p.m.

The Elliot Bay Book Co. have ordered copies of the Tinfish chapbook Yours Truly & Other Poems for the event, and copies of A Song of the Corner should be available while supplies last.

East Asia Panels at the MLA

In addition to the public discussion with Xi Chuan I mentioned yesterday, here’s a list of some other East Asia-related panels at the MLA:

The four panels sponsored by the East Asian Executive Committees (Pre-1900, Post-1900):

57. Adaptation and Refraction in East Asia to 1900 Thursday, 5 January, 1:45 – 3:00 p.m., Issaquah, Sheraton

275. Recognition as Critique Friday, 6 January, 12:00 noon – 1:15 p.m., Jefferson, Sheraton

515. Urban Culture: Literature and the City in Early Modern Asia Saturday, 7 January, 1:45 – 3:00 p.m., Greenwood, Sheraton

605. Modern East Asian Literature, World Literature Saturday, 7 January, 5:15 – 6:30 p.m., Cedar, Sheraton

Other panels of special interest:

119. Toward New Humanity: Theoretical Interventions into Literature in Modern Chinese Aesthetics Thursday, 5 January, 5:15 – 6:30 p.m., Greenwood, Sheraton

347. A Creative Conversation with the Chinese Poet Xi Chuan Friday, 6 January, 5:15 – 6:30 p.m., Grand B, Sheraton

396. Chinese Narrative, World Literature: The Appeal and the Peril of Being Worldly Saturday, 7 January, 8:30 – 9:45 a.m., Aspen, Sheraton

428. Technology and Chinese Literature and Language Saturday, 7 January, 10:15 – 11:30 a.m., Boren, Sheraton

552. China in the World: Literature, Geopolitics, and World Culture Saturday, 7 January, 3:30 – 4:45 p.m., Redwood, Sheraton

659. Chinese Biopolitics, Global Aesthetics Sunday, 8 January, 10:15 – 11:30 a.m., Greenwood, Sheraton

726. Practices of Creolization in Southeast Asian Sinophone Culture Sunday, 8 January, 1:45 – 3:00 p.m., Cedar, Sheraton

Thanks to Gu Cheng 顾城 translator Joseph Allen for compiling the list.

Xi Chuan at the MLA

Happy New Year!

If you’ll be at the MLA in Seattle this year–or in the area on Friday, January 6–please join me in attending the “Creative Conversation with the Chinese Poet Xi Chuan” from 5:15 to 6:30 in the Sheraton, room Grand B. Despite the lame title, the event should be excellent, with Prof. Chris Lupke moderating and conducting the interview. And in addition to Xi Chuan reading his poems in Chinese–which I may accompany by reading my translations–copies of the pocket volume A Song of the Corner 牆角之歌 from the International Poetry Nights will also be available.

Unlike most MLA events, this one is open to the public.

Xi Chuan on Tagore and Modern Chinese Poetry

In honor of the recently-concluded India-China Writers Dialogues, here’s a re-post from October 7, in the earliest days of the Notes on the Mosquito blog:

I just came across the following video, a lecture by Xi Chuan in English from Spring, 2009, to the Columbia University Alumni Association in Beijing. He discusses the relationship between Xu Zhimo 徐志摩 and Rabindranath Tagore in the context of China, India, and the West and their impact on modern Chinese poetry (with honorable mentions of Kenneth Rexroth, Amy Lowell, and Ezra Pound). He ends with a reading of the poem “My Grandma” 我奶奶 in Chinese, with my English translation read by Austin Woerner.

(apologies to readers in the PRC; I was unable to locate the video on Youku)