“Translation Encounters: A Dialogue Between Authors and Translators” features translators Jeffrey Angles, Jennifer Feeley, and Lucas Klein, who will be joined by their writers Hiromi Itō 伊藤 比呂美, Eva Wong Yi 黃怡, and Xi Chuan 西川 to talk about their various collaborations: How long have they been collaborating? How did they ‘find’ each other? How are the translation processes? Have the collaborations changed over time? How much input do the writers provide to the translations, and in what way is this input essential, or not? Were there notable times when translators and writers were in disagreement? Our speakers will also read selected texts, followed by a Q&A session. This discussion will take place online and people from all over the world are welcome to listen in. [Find out what time it will be where you are: https://bit.ly/31IbNun] Moderated by Cha’s co-editor Tammy Lai-Ming Ho.
Date: Saturday 25 July 2020
Time: 10:00 – 11:30 a.m. (GMT+8)
Platform: Zoom https://bit.ly/3eYq7CP
(Meeting ID: 958 9545 0608)
Languages: Cantonese, English, Japanese, and Mandarin
Speakers: Jeffrey Angles, Xi Chuan 西川, Jennifer Feeley, Hiromi Itō 伊藤 比呂美, Lucas Klein, and Eva Wong Yi 黃怡
Moderator: Tammy Lai-Ming Ho
◓ JEFFREY ANGLES (speaker)
Jeffrey Angles (1971- ) is a professor of Japanese literature at Western Michigan University in the US. He is the author of Writing the Love of Boys (University of Minnesota Press, 2010), These Things Here and Now: Poetic Responses to the March 11, 2011 Disasters (Josai University Press, 2016), and the award-winning translator of dozens of Japan’s most important modern Japanese authors and poets. He believes strongly in the role of translators as social activists, and much of his career has focused on the translation into English of socially engaged, feminist, and queer writers. His own book of poetry in Japanese, Watashi no hizuke henkō sen (My International Date Line, Shichōsha, 2016) won the Yomiuri Prize for Literature, making him the first non-native speaker ever to win this highly prestigious award for a book of poetry.
◓ XI CHUAN (speaker)
Xi Chuan 西川 is a poet, essayist, and translator. He was born in Jiangsu in 1963 and raised in Beijing, where he still lives. A graduate of the Department of English at Peking University in 1985, he was formerly a professor of literature and head librarian at the Central Academy of Fine Arts (CAFA) and is now a professor at the International Writing Center of Beijing Normal University. In China, he has been awarded the National Lu Xun Prize for Literature (2001), named Cultural China’s Person of the Decade (2001–2011) by Shanghai’s Oriental Morning Post, and Author of the Year by the Chinese Book Industry (2018). He was also one of the winners of the Germany’s Weimar International Essay Prize Contest (1999), the recipient of Sweden’s Cikada Prize (2018), and the winner of the Tokyo Poetry Prize (2018). His Notes on the Mosquito: Selected Poems, translated by Lucas Klein, was published by New Directions in 2012 and won the Lucien Stryk Asian Translation award.
◓ JENNIFER FEELEY (speaker)
Jennifer Feeley’s original writings and translations from Chinese have appeared in numerous journals and anthologies, including FIELD, Epiphany, Mekong Review, Chinese Literature Today, World Literature Today, Chinese Writers on Writing, and Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau and Taiwan, among others. She is the translator of Not Written Words: Selected Poetry of Xi Xi (Zephyr Press and MCCM Creations, 2016), for which she won the 2017 Lucien Stryk Asian Translation Prize and which received a 2017 Hong Kong Publishing Biennial Award in Literature and Fiction. With Sarah Ann Wells, she is the co-editor of Simultaneous Worlds: Global Science Fiction Cinema (University of Minnesota Press, 2015). Additionally, she is the translator of the first two books in the middle-grade series White Fox by Chen Jiatong (Chicken House Books and Scholastic) and the selected works of Shi Tiesheng (forthcoming from Polymorph Editions), as well as Wong Yi’s libretto for the Cantonese chamber opera Women Like Us, which will premiere at the 2021 Hong Kong Arts Festival. At present, she is translating Xi Xi’s semi-autobiographical novel Mourning a Breast, a project funded by a 2019 National Endowment for the Arts Literature Translation Fellowship. She holds a PhD in East Asian Languages and Literatures from Yale University. (Photography of Jennifer by Shi Lessner.)
◓ HIROMI ITŌ (speaker)
Hiromi Itō 伊藤 比呂美 (1955- ) emerged in the 1980s as the leading voice of Japanese women’s poetry with a series of sensational works that depicted women’s psychology, sexuality, and motherhood in dramatic new ways. In the late 1990s, she relocated to southern California, and since then, she has written a number of important, award-winning books about migrancy, relocation, identity, linguistic alienation, aging, and death. A selection of her early work appears in Killing Kanoko: Selected Poems of Hiromi Itō, translated by Jeffrey Angles (Action Books, 2009). Angles has also translated her wildly imaginative, book-length narrative poem about migration Wild Grass on the Riverbank (Action Books, 2014).
◓ LUCAS KLEIN (speaker)
Lucas Klein (PhD Yale) is a father, writer, and translator. His scholarship and criticism have appeared in the monograph The Organization of Distance: Poetry, Translation, Chineseness (Brill, 2018), as well as in Comparative Literature Studies, LARB, Jacket, CLEAR, PMLA, and other venues. His translation Notes on the Mosquito: Selected Poems of Xi Chuan (New Directions, 2012) won the 2013 Lucien Stryk Prize; other publications include his translations of the poetry of Mang Ke, October Dedications (Zephyr and Chinese University Press, 2018), and contributions to Li Shangyin (New York Review Books, 2018). His translations of the poetry of Duo Duo, forthcoming from Yale University Press, won a PEN/Heim Translation Fund grant, and he co-edited Chinese Poetry and Translation: Rights and Wrongs (2019) with Maghiel van Crevel, downloadable for free from Amsterdam University Press [LINK: http://bit.ly/2DrmfZN]. He is an associate professor in the School of Chinese at the University of Hong Kong. (Photograph of Lucas by Zhai Yongming.)
◓ EVA WONG YI (speaker)
Eva Wong Yi 黃怡 is a Hong Kong writer, librettist, and editor-at-large at the literary journal Fleurs des Lettres. The recipient of the Hong Kong Arts Development Awards 2018 Award for Young Artist (Literary Arts), she is the author of three short story collections: The Four Seasons of Lam Yip (林葉的四季, 2019), Patched Up (補丁之家, 2015), and News Stories (據報有人寫小說, 2010). Additionally, she is the librettist for the Cantonese-language chamber opera Women Like Us (兩個女子), commissioned and produced by the Hong Kong Arts Festival. She has served as a columnist for various Hong Kong newspapers and magazines and currently co-hosts the program “Book Review” for Radio Television Hong Kong. In 2019, she participated in the Singapore Writers Festival and Los Angeles Architecture Exhibition “Island__Peninsula.” She holds a Master of Arts in English from King’s College London and a Bachelor’s degree in Psychology and Comparative Literature from the University of Hong Kong.
◒ TAMMY LAI-MING HO (moderator)
Tammy Lai-Ming Ho is the founding co-editor of the first Hong Kong-based international Asia-focused journal, Cha: An Asian Literary Journal, an editor of the academic journals Victorian Network and Hong Kong Studies, and the first English-language Editor of Voice & Verse Poetry Magazine (聲韻詩刊). She is an Associate Professor at Hong Kong Baptist University, where she teaches poetics, fiction, and modern drama. She is also the President of PEN Hong Kong, a Junior Fellow of the Hong Kong Academy of the Humanities, an advisor to the Leeds Centre for New Chinese Writing, and an Associate Director of One City One Book Hong Kong. Tammy’s first collection of poetry is Hula Hooping (Chameleon 2015), for which she won the Young Artist Award in Literary Arts from the Hong Kong Arts Development Council. Her first short story collection Her Name Upon The Strand (Delere Press), her second poetry collection Too Too Too Too (Math Paper Press) and chapbook An Extraterrestrial in Hong Kong (Musical Stone) were published in 2018. Her first academic book is Neo-Victorian Cannibalism (Palgrave, 2019). Tammy edited or co-edited seven literary volumes having a strong focus on Hong Kong, the most recent one being Twin Cities: An Anthology of Twin Cinema from Singapore and Hong Kong (Landmark Books, 2017). She guest-edited a Hong Kong Feature for World Literature Today (Spring 2019), the Hong Kong special issue of Svenska PEN’s PEN/Opp (formerly “The Dissident Blog”), and an e-chapbook of Hong Kong poetry published by Cordite Publishing. She is currently co-editing 2020: A Bilingual Anthology of Hong Kong Poetry with Chris Song. Tammy is also a translator and her literary translations can be found in World Literature Today, Chinese Literature Today, Pathlight: New Chinese Writing, among other places, and International Poetry Nights in Hong Kong (香港國際詩歌之夜) volumes (2015, 2017 and 2019). Her own poems have been translated into a number of languages, including Chinese, French, German, Latvian and Vietnamese.