Lucas Klein on Xi Chuan and translating “Written at Thirty”

The Poetry Society of America has published my translation of Xi Chuan’s “Written at Thirty” 写在三十岁, along with a brief commentary in which I provide some background on Xi Chuan’s life and works, and discuss translating his poetry. Here’s how I end the piece:

“Written at Thirty” comes from right after Xi Chuan’s switch from lyric to expansive prose poem. While it’s not prose, obviously, it nevertheless contains the multitudes that any open look at one’s biography requires. Other translators have published their versions—both online and in print—but my translation takes advantage of Xi Chuan’s explanation to me of what he meant by the line I had earlier translated as “I grew up with the whole world’s crickets”: he said his teenage years coincided with the end of the Cultural Revolution (1966 – 1976), which also entailed a change in Chinese people’s relationship with Maoist rhetoric. Much of his poem, he said, was an attempt to “write through” his upbringing and the language around him. English-speakers being, for obvious reasons, much less attuned to Marxist diction, I rewrote my translation through the final appeal of The Communist Manifesto, to translate the line as “with working crickets of all countries I grew up.”

2012 Best Translated Book Award Finalists for Poetry

It’s nearing on old news by now, but I wanted to offer congratulations to my three friends whose translations have been selected among the six finalists for the 2012 Best Translated Book Award for Poetry (follow the link for a full list, including the ten fiction finalists):

Spectacle & Pigsty by Kiwao Nomura
Translated from the Japanese by Kyoko Yoshida and Forrest Gander
(Omnidawn)

A Fireproof Box by Gleb Shulpyakov
Translated from the Russian by Christopher Mattison
(Canarium Books)

False Friends by Uljana Wolf
Translated from the German by Susan Bernofsky
(Ugly Duckling Presse)

Good luck to all of you–I hope for a three-way tie.

Words Without Borders on the London Book Fair & Contemporary Chinese Poetry

Last week Words Without Borders was reporting on location from the London Book Fair, and their report from Day 3 is full of excitement about Chinese poetry in English and the newly published Jade Ladder: Contemporary Chinese Poetry, which includes my translations of some of Xi Chuan’s work. Here’s the beginning of their writeup:

The highlight of the third and final day at the Literary Translation Center was a conversation among poets, editors, and translators about an exciting new book of contemporary Chinese poetry.  The book is called Jade Ladder—and the panelists discussing it, and related subjects, sounded like just the playful, dissenting and sensitive voices you’d hope to find in such company.

As I posted before, Xi Chuan was one of the panelists at the event, but for some reason WWB didn’t mention him by name; nor did they mention him as part of the Chinese poetry panel with Han Dong 韩东 and Nicky Harman, either, which he also participated in. Ah well.

Interview with Xi Chuan on China Arts Critique

Last week at the London Book Fair Xi Chuan was interviewed in Chinese by China Arts Critique 中國藝術批評, a discussion covering internet poetry, the state of translations of international poetry into Chinese, and the state of Chinese poetry abroad, including the new anthology Jade Ladder: Contemporary Chinese Poetry and my translation of his selected poems, Notes on the Mosquito.

It’s a nice, quick interview, but I do have one gripe. Instead of giving our book its proper title, Notes on the Mosquito in Chinese (蚊子志), they wrote it as 蚊子痣–which means “mosquito’s mole.”

New Directions Poet of the Week: Xi Chuan

The New Directions website posts a featured “Poet of the Week,” and this week it’s Xi Chuan!

In addition to posting sections of my translations of Xi Chuan’s “The City I Live In” 我居住的城市, “Beast” 巨兽, and “On My Meaningless Life” 关于我的无意义的生活, the feature also quotes from my introduction giving some of the context and background of Xi Chuan’s life and work.

Take a loook!

Gary Snyder in Hong Kong

Tomorrow afternoon and Monday evening I’ll be moderating events for Gary Snyder‘s visit to Hong Kong as part of the International Poets in Hong Kong 2012 events. Click the image above for the full schedule.

Snyder’s visit corresponds with the release from Oxford University Press Hong Kong of Ripples on the Surface 水面波紋, a collection of Snyder’s work translated into Chinese by Xi Chuan.

And for Susan Schultz’s take on Snyder visiting her classroom in Hawaii, click here.

Canaan Morse on Contemporary Chinese Poetry

Over at the Metre Maids poetry blog, Pathlight poetry editor Canaan Morse has a poignant and touching post about contemporary Chinese poetry–featuring discussion of my translation of Xi Chuan’s “The Body and History” 体相与历史. Canaan explains:

Obscure to a Western reader, “double corneas” and heavy earlobes are references to Xiang Yu and Liu Bei, two of the great heroic figures of early Chinese history. In fact, all of the described abnormalities are references to specific mythicized figures. They are characters whom historical and poetic narrations have always served, never satirized.

Canaan’s framework is to discuss awakening to his aesthetic in Chinese poetry in the context of his father’s passing away, and the fading of his poetic influence–as I said, poignant and touching–but he also discusses an Andrea Lingenfelter translation of Zhai Yongming 翟永明, and Eleanor Goodman‘s translations of Lei Pingyang 雷平阳 and Shen Wei 沈苇.

Lucas Klein on Zhai Yongming’s Changing Room

My review of the first book-length collection to appear in English of contemporary Chinese poet Zhai Yongming 翟永明, Changing Room (Zephyr Press) translated by Andrea Lingenfelter, is now online at Rain Taxi.

Here’s how I begin the review:

Some poets write about the problems of language and indeterminacy; some write about society and culture; some write about gender. Zhai Yongming, China’s pre-eminent contemporary woman poet whose work has finally been published in book form in English, is unique in her ability to combine all three dimensions—the interpretive function, social change, and being a woman—into one relentlessly strong poetic expression.

Short Takes on Long Poems

The Short Takes on Long Poems conference, from which I just returned on Monday, was one of the better short academic conferences I’ve attended–in part because it wasn’t entirely academic, but a mixture of explications of long poems and recitations or performances of long poetry as well. I showed up late, so unfortunately had to miss seeing my friend Jacob Edmond‘s presentation (which was very funny, according to all reports), but I met his father Murray Edmond, as well as Hilary Chung, and had great run-ins with John Tranter, Pam Brown, Robert Sullivan, Susan Schultz, and Rachel Blau DuPlessis, all of whom, I’m happy to say, were not only enthusiastic about my presentation on Yang Lian 杨炼 and Xi Chuan, but also looking forward to the release of Notes on the Mosquito. In the afternoon of the second day, we spent the afternoon on Waiheke island–a forty-minute ferry ride from Auckland–writing a physically long poem on the beach. Given that Chinese poet Gu Cheng 顾城 had lived and committed suicide on the island, I commemorated him in my section of the poem with his most famous lines, 黑夜给了我黑色的眼睛 / 我却用它寻找光明.

Also at the conference the new issue of  k a   m a t e   k a   o r a  was released, with a slew of discussions and commentaries on poetry and translation. Hilary Chung’s “Ghosts in the City: The Auckland Exile of Yang Lian and Gu Cheng” I found particularly helpful.

Crossing Paths

Talk about “world” poetry. Xi Chuan arrives in Hongkong tomorrow morning to take part of this spring’s International Poets in Hong Kong event at Chinese University, leading workshops on American poetry and introducing his translations of Gary Snyder (Snyder will be here at the end of April; I’ll be moderating a couple of his programs). Given inopportune scheduling, though, I’m flying to New Zealand tomorrow evening to attend the Short Takes on Long Poems conference with Rachel Blau DuPlessis (and Jacob Edmond, Susan Schultz, and others), where I’ll be presenting on Xi Chuan and contemporary Chinese poetry. Unfortunately, Xi Chuan leaves Hongkong the day I get back from Auckland! At least I’ll be able to have a quick lunch with him tomorrow before I leave.