Kwame Dawes on Poetry & China

from Kwame Dawes’s blog about Poetry International Rotterdam:

There is a room in which a remarkable online conversation is going on with thinkers and poets in China. A streaming system is in place and we are having these interviews and conversations with folks in China who have read translations of our poems and while it does not feel like it, we are told that thousands are viewing the stream in China. This strikes me as uncanny. I am not sure what I have said. I read a poem by a man whose pen name is Cricket. It is a fine poem. It is a poem that reminds me of something I heard when I was in Hong Kong: that there exists a fascinating genius of transformation in China that makes ancestral worship secular and non-mystical. It must be by fiat.  It is also by faith. If we believe that they live among us, as so many in Africa and around the world do, then we are actually engaged in reality. I have not stopped thinking about this.

and:

And here is where I can end in praise of poetry festivals like this one. When poets make their personal lists, and especially if they have had a chance to attend such festivals, their lists may not be myopic, limited by geographies and cultures, but may at last begin to engage writers from around the world. For my part, after this week, Roland Jooris, Liu Waitong, Ester Naomi Perquin, Mustafa Stitou, and Yang Lian will occupy my interest for a while. Not bad, not bad at all.

Li Shangyin’s Random Lists

from The Za Zuan 雜纂 by Li Shangyin 李商隱, translated by Chloe Garcia Roberts:

Li ShangyinINTOLERABLE

A fat man in summer months.
Entering the dwelling of a hateful wife.
An impoverished scholar taking an examination.
Maliciously scolding other people’s servants, slave girls.
Discovering repellant behaviors in colleagues.

for more, click here.

The International PoetrySync Festival

from Canaan Morse at Paper Republic:

Chuothe international poets sat down one by one with Yang Lian, or Liao Weitang, or Qin Xiaoyu in front of a Skype-connected computer to read their poetry and the Chinese poets’ poetry, and to interact with a faceless, presumably multitudinous online audience. Interpreters and questioners were everywhere; back in a half-lit meeting room in the top floor of a building on the Third Ring Road, a team of ants, armed with laptops, scrambled to turn Chinese into English, English into Chinese, send all of it over QQ to everybody else, then post it to a Tencent microblog stream on which audience members could pose questions to the poets.
Who came? Kwame Dawes, from the Caribbean; James Byrne, British poet and editor of The Wolf; Canadian poet Ken Babstock; Ukrainian-American poet Ilya Kaminsky; Syrian poet Adonis; and several others whom I would name in full, but the site’s server has stopped responding. They were all well-known, well-published poets and editors, and if the medium of their correspondence, which required stop-and-start maintenance along with as many as three translators (in the case of Adonis, who spoke in French, and therefore had to be translated from French to Dutch, to English, to Chinese), hadn’t been such an obstacle, they might have been able to engage in some truly meaningful discussion. Tang Xiaodu moderated the event on the Beijing side, while Yang Lian moderated most of the event on theirs — and “moderate” may itself be too moderate a description, as a lack of audience questions early on prompted YL to take on the interpreter’s and moderator’s mantles himself, which resulted both in interesting leads and a lot of distracting hand-waving.

for the whole piece, click here.

Translation Lab at Ledig House

Writers Omi will host five English language translators to the Omi International Arts Center for one week. These translators will be invited along with the writers whose work is being translated. This focused residency will provide an integral stage of refinement, allowing translators to dialogue with the writers about text-specific questions. It will also serve as an essential community-builder for English-language translators who are working to increase the amount of international literature available to American readers.

Writers Omi will be accepting proposals for participation until July 1, 2012. Translators, writers, editors, or agents can submit proposals. Each proposal should be no more than three pages in length and provide the following information:

➢ Brief biographical sketches for the translator and writer associated with each project
➢ Publishing status for proposed projects (projects that do not yet have a publisher are still eligible)
➢ A description of the proposed project
➢ Contact information (physical address, email, and phone)

Proposals should be submitted only once availability for residency participation of the translator and writer has been confirmed. All proposals and inquiries should be sent directly to DW Gibson, director of Writers Omi at Ledig House.

Chinese Poetry Events at Rotterdam

Chinese poetry events at Poetry International Rotterdam:

WEDNESDAY 12 JUNE 2013
 14:00 – 15:00  CHINESE DICHTERS IN LEESZAAL WEST
Leeszaal Rotterdam West : reading
Liu Waitong, Qin Xiaoyu, Yang Lian
 18:30 – 19:30  POETRY READING
Small Auditorium : reading
Ester Naomi Perquin, Ilya Kaminsky, Liu Waitong, Michèle Métail
FRIDAY 14 JUNE 2013
 18:30 – 19:30  MASTER CLASS: ‘HOW TO READ CHINESE POETRY’
Small Auditorium : active poetry
 20:00 – 21:00  CURRENT CHINESE POETRY: ‘I HOPE THE UNIVERSE…
Small Auditorium : special event
 21:30 – 23:00  POETRY READING AND DISCUSSIONS
Small Auditorium : reading  LIVE STREAM
Liu Waitong, Qin Xiaoyu, Yang Lian
SATURDAY 15 JUNE 2013
 14:00 – 16:30  LANGUAGE & ART GALLERY TOUR 2013 – GUIDED TOURS
Foyer : crossovers
Daniel Bănulescu, Ester Naomi Perquin, Qin Xiaoyu
 15:00 – 16:00  TRANSLATION WORKSHOP RESULTS: QIN XIAOYU
Garden Café Floor : translation
 18:30 – 19:30  POETRY READING
Small Auditorium : reading
Daniel Bănulescu, Ken Babstock, Mustafa Stitou, Qin Xiaoyu
 21:30 – 23:00  GATEWAY: FINAL PROGRAM
Main Auditorium : special event  LIVE STREAM
Ilya Kaminsky, James Byrne, Jan Glas, Karinna Alves Gulias, Liu Waitong, Michèle Métail, Qin Xiaoyu, Roland Jooris

Translation Database shows increase in published literary translations

From 3%:

According to our Translation Database, here are the overall number of translations published in the U.S. since we’ve started keeping track:

2008: 360 total (278 fiction, 82 poetry)
2009: 363 (291, 72)
2010: 344 (266, 78)
2011: 374 (304, 70)
2012: 453 (384, 69)
2013: 300 (249, 51)

So, in terms of the simple bean counting of all this, the number of works of fiction in translation being published in the U.S. is growing pretty nicely. Actually, the 26.3% increase from 2011 to 2012 is incredibly impressive. That’s like ebook sales type growth.

What accounts for this jump? I don’t want to paint too optimistic a picture here, but there are more presses doing translations each and ever year, and basically everyone involved in publishing literature in translation is doing a little bit more

Read the full (chad) post here.

Spring 2013 Pathlight

The Spring 2013 issue of Pathlight is out the door! This issue, featured loosely around “The Future”, features several works of science fiction by some of China’s best sci-fi writers, including Liu Cixin, Chen Qiufan and Hao Jingfang, and an overview of the genre by Wu Yan and Xing He.

There’s also a dreamscape by Can Xue, a rural romp (and fascinating Q&A) by Han Shaogong, and a poetry section curated by Yi Sha, featuring China’s youngest generation of poets.

See a full table of contents & download information at the link above.