Letter from Hong Kong on Your Impossible Voice

Xi Chuan reading at International Poetry Nights. Photo by Lucas Klein.Your Impossible Voice has published my “Letter from Hong Kong,” about the International Poetry Nights.

Reviewing exiled Chinese poet Bei Dao’s first full-length collection The August Sleepwalker in English in 1990, a professor quipped, “These could just as easily be translations from a Slovak or an Estonian or a Philippine poet. It could even be a kind of American poetry….”

From a certain perspective—say, that of the seventeenth century—the reviewer was right … But from the perspective of poetry today, which is to say, from the perspective of people who habitually, consciously, and conscientiously read contemporary poetry around the world, do all cultures and languages and poetries blend together?

We have not had Slovak or Estonian poets, but Albanian poet Luljeta Lleshanaku, from the 2009 festival, and Russian Arkadii Dragomoshchenko and Slovene Tomaž Šalamun, from 2011, may serve as sufficient examples, as will 2013 Filipina participant Conchitina Cruz and American Jeffrey Yang.

And then I translate Chen Maiping’s 陳邁平 Chinese translation of Aase Berg’s Swedish poetry into English, to compare against the English by Johannes Göransson.

Click on the image above for the whole piece.

Johannes Göransson on Aase Berg / Ye Mimi / Tomas Tranströmer / Translation Studies

5_Ye_Mimi_photoOver at Montevidayo, Johannes Göransson has posted “Exploded Tranströmer: On Ye Mimi and Translation.” A hyperopticon of connections, it links Taiwanese poet Ye Mimi 葉覓覓 to Nobel lit. prizewinner Tomas Tranströmer via what Swedish poet Aase Berg’s reading:

A few months ago, after she came back from the Hong Kong poetry festival, Aase Berg wrote to me that she had come across an amazing poet: Ye Mimi. (Apparently YM appeared with a very impressive guitar player as well.)

That is funny because when I first read Ye Mimi what came to my mind was a somewhat controversial article Aase wrote in Expressen after Tomas Tranströmer won the Nobel Prize the other year … Ye Mimi’s poems are wonderful in that way: as “banality and surprising intelligence in unexpected union.” In fact they read a little like Tranströmer poems in which the metaphors flip out, go off in tangents. And a Tranströmer poem in which the tenor of the metaphor is not privileged – not over the vehicle, not over the “banal” everyday stuff (pink hoodies, telephone booths etc).

From there, he indicates a critique of Translation Studies as it’s come to be known under the direction of Lawrence Venuti, which he says “quarantines the work in translation: we never have the work in translation.”

Click the image above to read the post in full.

Poetry & Globalization: Opponents or Partners? International Poetry Nights Hong Kong 2013 Panel

Poetry & Globalization: Opponents or Partners?

Moderator: Prof. Lucas Klein
Thurs, 21 November 3:00 – 4:30 p.m.
Venue: Hong Kong University of Science & Technology

Aase Berg (Sweden), Conchitina Cruz (The Philippines), Jeffrey Yang (USA), Tomasz Różycki (Poland), Un Sio San 袁紹珊 (Macau), Ye Mimi 葉覓覓 (Taiwan)

Islands or Continents

Photo: 2013年香港國際詩歌節出版詩集。赞~Poems by Adonis (Syria), Aase Berg (Sweden), Conchitina Cruz (The Philippines), Menna Elfyn (Wales), Lee Seong-bok (South Korea), Tim Lilburn (Canada), Zeyar Lynn (Burma), Dunya Mikhail (Iraq), Peter Minter (Australia), Tomasz Różycki (Poland), Olvido García Valdés (Spain), Jeffrey Yang (USA), Raúl Zurita (Chile), Natalia Chan 洛楓 (Hong Kong), Han Dong 韓東 (mainland China), Lan Lan 藍藍 (mainland China), Un Sio San 袁紹珊 (Macau), and Ye Mimi 葉覓覓 (Taiwan), with translations into English and/or Chinese.
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International Poetry Nights in Hong Kong 2013

21 – 24 November, 2013

Featuring: Adonis (Syria), Aase Berg (Sweden), Conchitina Cruz (The Philippines), Menna Elfyn (Wales), Lee Seong-bok (South Korea), Tim Lilburn (Canada), Zeyar Lynn (Burma), Dunya Mikhail (Iraq), Peter Minter (Australia), Tomasz Różycki (Poland), Olvido García Valdés (Spain), Jeffrey Yang (USA), Raúl Zurita (Chile), Natalia Chan 洛楓 (Hong Kong), Han Dong 韓東 (mainland China), Lan Lan 藍藍 (mainland China), Un Sio San 袁紹珊 (Macau), and Ye Mimi 葉覓覓 (Taiwan)

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Notes on the Mosquito a Finalist for Best Translated Book Award!

From the Poetry Foundation & the Three Percent blog:

John Felstiner said translation is like a window. It lets some fresh air in and allows some stale air to drift out. Here are seven books of poetry from around the world that offer some of the freshest air possible into American poetry. The Best Translated Book Awards was started by Chad Post, editor of Open Letter and founder of the blog Three Percent. This was my fifth year serving as a judge for this award and every year I have been astounded by the lyricism and innovative approaches to translation and poetry we’ve found in the books nominated for the prize. If you are looking for a book of poetry to take the top of your head off, you couldn’t go wrong with one of the finalists on this list. A discussion of these astounding books will appear on Three Percent next week:

2013 Best Translated Book Award: Poetry Finalists

Transfer Fat by Aase Berg, translated from the Swedish by Johannes Göransson (Ugly Duckling Press; Sweden).

pH Neutral History by Lidija Dimkovska, translated from the Macedonian by Ljubica Arsovska and Peggy Reid (Copper Canyon Press; Macedonia).

The Invention of Glass by Emmanuel Hocquard, translated from the French by Cole Swensen and Rod Smith (Canarium Books; France).

Wheel with a Single Spoke by Nichita Stanescu, translated from the Romanian by Sean Cotter (Archipelago Books; Romania).

Notes on the Mosquito by Xi Chuan, translated from the Chinese by Lucas Klein (New Directions; China).

Almost 1 Book / Almost 1 Life by Elfriede Czurda, translated from the German by Rosmarie Waldrop (Burning Deck; Austria).

A truly humbling gathering of poets & translators to be put together with!