{"id":964,"date":"2012-06-07T10:28:50","date_gmt":"2012-06-07T02:28:50","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=964"},"modified":"2012-06-07T10:28:50","modified_gmt":"2012-06-07T02:28:50","slug":"mike-frick-on-yan-liankes-dream-of-ding-village","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=964","title":{"rendered":"Mike Frick on Yan Lianke&#8217;s Dream of Ding Village"},"content":{"rendered":"<p><a href=\"http:\/\/www.thechinabeat.org\/?p=4312\" rel=\"nofollow\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" id=\"coverImage\" class=\"alignright\" src=\"https:\/\/i0.wp.com\/photo.goodreads.com\/books\/1328823990l\/9248289.jpg?resize=316%2C475\" alt=\"Dream of Ding Village\" width=\"316\" height=\"475\" data-recalc-dims=\"1\" \/><\/a>Over at <a href=\"http:\/\/www.thechinabeat.org\/?p=4312\" target=\"_blank\">The China Beat<\/a> (they have my favorite tagline on the web: <em>Blogging How the East Is Read<\/em>) is Mike Frick&#8217;s <a href=\"http:\/\/www.thechinabeat.org\/?p=4312\" target=\"_blank\">review <\/a>of <em>Dream of Ding Village<\/em> \u4e01\u5e84\u68a6 by <a href=\"http:\/\/paper-republic.org\/authors\/yan-lianke\/\" target=\"_blank\">Yan Lianke <\/a>\u960e\u8fde\u79d1. The novel was translated by <a href=\"http:\/\/paper-republic.org\/cindycarter\/\" target=\"_blank\">Cindy Carter<\/a>, though you&#8217;d never know it from reading Frick&#8217;s review. Here&#8217;s an excerpt of Frick describing the writing:<\/p>\n<blockquote><p>Yan\u2019s writing is at once richly metaphoric and attuned to the rhythms of Chinese farming life. He describes needle marks on the underarms of blood sellers as \u201cangry red sesame seeds\u201d and pinched veins as \u201cfat-streaked pork.\u201d Mostly this language is effective, though at its weaker moments the metaphors can feel overwrought, particularly in the dream sequences that mark major turning points in the plot. Dreams haunt the sleep of Qiang\u2019s grandfather and serve as convenient devices for moving the narrative forward, although this sometimes occurs at the expense of good story-telling. Major revelations about Ding Hui\u2019s greed and artifice are revealed through lushly animated dreams that allow Yan to transcend the narrative strictures of time and place. Through these dreams we see Ding Hui ingratiate himself with government officials until they appoint him chairman of the county taskforce on HIV\/AIDS. In his first move as chairman, Ding Hui intercepts the free government-issued coffins intended for AIDS patients in Ding Village and sells them to other AIDS-affected villages for a profit. For his efforts, he labels himself a \u201cphilanthropist.\u201d Left without coffins, those dying in Ding Village ransack the school for blackboards and desks to build their own. The transformation of the school into a funereal supply yard carries particular poignancy given China\u2019s storied reverence for learning and scholarship.<\/p><\/blockquote>\n<p>Elsewhere on the web you can find <a title=\"Permanent Link to The Transparent Translator: Cindy Carter on \u201cDream of Ding Village\u201d\" href=\"http:\/\/www.bruce-humes.com\/?p=6871\" rel=\"bookmark\" target=\"_blank\">The Transparent Translator: Cindy Carter on \u201cDream of Ding Village\u201d<\/a>, where Cindy is interviewed by <a href=\"https:\/\/xichuanpoetry.com\/?tag=bruce-humes\" target=\"_blank\">Bruce Humes<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Over at The China Beat (they have my favorite tagline on the web: Blogging How the East Is Read) is Mike Frick&#8217;s review of Dream of Ding Village \u4e01\u5e84\u68a6 by Yan Lianke \u960e\u8fde\u79d1. The novel was translated by Cindy Carter, &hellip; <a href=\"https:\/\/xichuanpoetry.com\/?p=964\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3,16],"tags":[184,548,549,550],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-fy","jetpack-related-posts":[{"id":1306,"url":"https:\/\/xichuanpoetry.com\/?p=1306","url_meta":{"origin":964,"position":0},"title":"Found in Translation: Five Chinese Books You Should Read","author":"Lucas Klein","date":"October 19, 2012","format":false,"excerpt":"In yesterday's post on the review of Bei Dao's The Rose of Time: New and Selected Poems (New Directions, edited by Eliot Weinberger), I also mentioned the short collection of Bei Dao's poetry Endure (Black Widow Press), which I translated with Clayton Eshleman. That collection earned a gracious mention--along with\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3813,"url":"https:\/\/xichuanpoetry.com\/?p=3813","url_meta":{"origin":964,"position":1},"title":"Feeley&#8217;s Xi Xi on National Translation Award Longlist","author":"Lucas Klein","date":"June 28, 2017","format":false,"excerpt":"The National Translation Award Longlists for Poetry and Prose have been released--and Chinese poetry is represented in the form of Jennifer Feeley's translation of Not Written Words \u4e0d\u662f\u6587\u5b57, by Hong Kong writer Xi Xi \u897f\u897f. (For some reason the publisher is listed as New Mexico State University, but actually the\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/static.wixstatic.com\/media\/2b6d8d_34b8d3d08c654720a23e7b723031f6ea.jpg\/v1\/fill\/w_400,h_536,al_c,q_90,usm_0.66_1.00_0.01\/2b6d8d_34b8d3d08c654720a23e7b723031f6ea.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":966,"url":"https:\/\/xichuanpoetry.com\/?p=966","url_meta":{"origin":964,"position":2},"title":"Eric Abrahamsen on Chinese Writers Remembering Yan&#8217;an","author":"Lucas Klein","date":"June 8, 2012","format":false,"excerpt":"Over at the NYTimes blog Eric Abrahamsen of Paper Republic has, with characteristic sarcasm, written about the recent edition of One Hundred Writers\u2019 and Artists\u2019 Hand-Copied Commemorative Edition of the \u201cYan\u2019an Talks.\u201d So what were the \u201cYan\u2019an Talks\u201d \u5728\u5ef6\u5b89\u6587\u827a\u5ea7\u8c08\u4f1a\u4e0a\u7684\u8bb2\u8bdd? Eric describes: The Yan\u2019an Talks on Literature and Art, delivered in\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1562,"url":"https:\/\/xichuanpoetry.com\/?p=1562","url_meta":{"origin":964,"position":3},"title":"Eric Hayot on China, From Middlebrow to Highbrow","author":"Lucas Klein","date":"January 31, 2013","format":false,"excerpt":"At Public Books Eric Hayot writes about the presentation of China in literature available to readers of English, by way of a review of Gail Tsukiyama's A Hundred Flowers, Christopher Buckley's They Eat Puppies, Don't They?, Dung Kai-cheung's\u00a0\u8463\u555f\u7ae0 Atlas: The Archaeology of an Imaginary City (translated by the author with\u2026","rel":"","context":"In &quot;Ruminations&quot;","block_context":{"text":"Ruminations","link":"https:\/\/xichuanpoetry.com\/?cat=16"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2036,"url":"https:\/\/xichuanpoetry.com\/?p=2036","url_meta":{"origin":964,"position":4},"title":"Even more Mo Yan","author":"Lucas Klein","date":"September 2, 2013","format":false,"excerpt":"\"An Epic Tale of Comic Realism\": a reader's words on Life & Death are Wearing Me Out. Peter Tieryas Liu on Sandalwood Death: The best of Chinese literature doesn\u2019t just give insight into the Chinese condition, but that of all humanity. Mo Yan\u2019s specialty is the uniquely local spectrum through\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"Translators need to strike a balance","src":"https:\/\/i0.wp.com\/usa.chinadaily.com.cn\/epaper\/attachement\/jpg\/site1\/20130820\/f04da2db1122137cfa5537.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1428,"url":"https:\/\/xichuanpoetry.com\/?p=1428","url_meta":{"origin":964,"position":5},"title":"More Mo Yan","author":"Lucas Klein","date":"November 29, 2012","format":false,"excerpt":"The overlapping world of literary critics and cultural commentators is still arguing about Mo Yan \u83ab\u8a00 and his Nobel Prize. Nobel Literature Laureate from 2009, Romanian-raised Herta M\u00fcller calls Mo Yan\u2019s win \u201ca catastrophe\u201d because he \u201ccelebrates censorship.\u201d And Anna Sun of the Kenyon Review calls Mo Yan's writing \"diseased\";\u2026","rel":"","context":"In \"Anna Sun\"","block_context":{"text":"Anna Sun","link":"https:\/\/xichuanpoetry.com\/?tag=anna-sun"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.granta.com\/dyn\/1334837960936.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/964"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=964"}],"version-history":[{"count":1,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/964\/revisions"}],"predecessor-version":[{"id":965,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/964\/revisions\/965"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}