{"id":694,"date":"2012-02-05T12:02:00","date_gmt":"2012-02-05T04:02:00","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=694"},"modified":"2012-02-05T12:02:00","modified_gmt":"2012-02-05T04:02:00","slug":"a-look-out-xi-chuans-window","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=694","title":{"rendered":"A Look Out Xi Chuan&#8217;s Window"},"content":{"rendered":"<p style=\"text-align: left;\"><a href=\"http:\/\/www.theparisreview.org\/blog\/2012\/02\/03\/xi-chuan-beijing-2\/\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter  wp-image-25858\" src=\"https:\/\/i0.wp.com\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/Xi_Chuan.jpg?resize=574%2C639\" alt=\"\" width=\"574\" height=\"639\" data-recalc-dims=\"1\" \/><\/a>As part of its series on &#8220;what writers from around the world see from their windows,&#8221; the <em>Paris Review Daily<\/em> recently featured Matteo Pericoli&#8217;s drawing of <a href=\"http:\/\/www.theparisreview.org\/blog\/2012\/02\/03\/xi-chuan-beijing-2\/\" target=\"_blank\">the view from Xi Chuan&#8217;s studio window<\/a>. The feature also includes a passage from Xi Chuan, which he wrote in English, about his view. It ends:<\/p>\n<blockquote>\n<p style=\"text-align: left;\">But the whole city of Beijing was a giant construction site in the 1990s and 2000s, and the view couldn\u2019t last. Once I got used to the buildings in the window, I seldom looked out of it. No trees can reach the fifteenth floor, so no birds perch at my window. When I look out, I see cars running on the bridge. Nothing else.<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>As part of its series on &#8220;what writers from around the world see from their windows,&#8221; the Paris Review Daily recently featured Matteo Pericoli&#8217;s drawing of the view from Xi Chuan&#8217;s studio window. The feature also includes a passage from &hellip; <a href=\"https:\/\/xichuanpoetry.com\/?p=694\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3,31,12,7],"tags":[348,349,1654],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-bc","jetpack-related-posts":[{"id":706,"url":"https:\/\/xichuanpoetry.com\/?p=706","url_meta":{"origin":694,"position":0},"title":"Tumblr Reblogs of Xi Chuan&#8217;s Window","author":"Lucas Klein","date":"February 9, 2012","format":false,"excerpt":"A couple days ago I posted a link to the view from Xi Chuan's studio window as drawn by Matteo Pericoli posted on the Paris Review Daily. Here's a list from the Paris Review's tumblr feed of all the people who've reblogged the image so far. Follow the links to\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":245,"url":"https:\/\/xichuanpoetry.com\/?p=245","url_meta":{"origin":694,"position":1},"title":"Weinberger &#038; Subin in Hongkong","author":"Lucas Klein","date":"November 1, 2011","format":false,"excerpt":"I had lunch yesterday with Nina Subin & Eliot Weinberger (New Directions author and translator of Octavio Paz and Bei Dao \u5317\u5cf6, among others), in town for work with Chinese University Press on their way to Vietnam and Laos. The topics--they're epic conversationalists--ranged from Cantonese cuisine to museums under colonialism\u2026","rel":"","context":"In &quot;Anthologies&quot;","block_context":{"text":"Anthologies","link":"https:\/\/xichuanpoetry.com\/?cat=13"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/U2JDMad1VZA\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":109,"url":"https:\/\/xichuanpoetry.com\/?p=109","url_meta":{"origin":694,"position":2},"title":"Xi Chuan Interview","author":"Lucas Klein","date":"October 13, 2011","format":false,"excerpt":"The inimitable Paul Nelson met Xi Chuan when they both attended the Qinghai Lake International Poetry Festival \u9752\u6d77\u6e56\u56fd\u9645\u8bd7\u6b4c\u8282 last August. After Xi Chuan's Copper Canyon reading in Seattle, Paul met with Xi Chuan for an interview, part one of which has just been posted on splab.org. In English, the interview\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":179,"url":"https:\/\/xichuanpoetry.com\/?p=179","url_meta":{"origin":694,"position":3},"title":"Xi Chuan Interview part II","author":"Lucas Klein","date":"October 27, 2011","format":false,"excerpt":"Two weeks ago I linked to part one of Paul Nelson's SPLAB interview with Xi Chuan. Paul has recently uploaded part two, which continues to show the\u00a0 depth and breadth of Xi Chuan.Whereas part one spent more time on Xi Chuan's personal history, however, in part two he discusses details\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":304,"url":"https:\/\/xichuanpoetry.com\/?p=304","url_meta":{"origin":694,"position":4},"title":"Art Talk with Xi Chuan","author":"Lucas Klein","date":"November 18, 2011","format":false,"excerpt":"On the first of November the National Endowment for the Arts posted an interview between Xi Chuan and Katie Schulze, conducted in English over email while Xi Chuan was on a reading tour in the US promoting Push Open the Window (the NEA partly funded the anthology, as part of\u2026","rel":"","context":"In &quot;Anthologies&quot;","block_context":{"text":"Anthologies","link":"https:\/\/xichuanpoetry.com\/?cat=13"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2011\/11\/Xi-Chuan-tree.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2011\/11\/Xi-Chuan-tree.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2011\/11\/Xi-Chuan-tree.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":359,"url":"https:\/\/xichuanpoetry.com\/?p=359","url_meta":{"origin":694,"position":5},"title":"Tinfish Retro Series Writeup","author":"Lucas Klein","date":"November 23, 2011","format":false,"excerpt":"On November 6 I posted about Matthew DeKneef's writeup of Tinfish Press\u2019s Retro Series of chapbooks in the Honolulu Weekly, including special mention of Xi Chuan\u2019s Yours Truly & Other Poems. Now that the review has appeared in print, I thought I'd offer a glimpse of how it looked on\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2011\/11\/Honolulu-Weekly.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2011\/11\/Honolulu-Weekly.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2011\/11\/Honolulu-Weekly.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2011\/11\/Honolulu-Weekly.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/694"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=694"}],"version-history":[{"count":1,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/694\/revisions"}],"predecessor-version":[{"id":695,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/694\/revisions\/695"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}