{"id":3934,"date":"2017-11-27T09:00:48","date_gmt":"2017-11-27T01:00:48","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=3934"},"modified":"2017-11-18T14:52:52","modified_gmt":"2017-11-18T06:52:52","slug":"goodman-on-great-romantic-of-chinese-poetry-xu-zhimo","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=3934","title":{"rendered":"Goodman on &#8220;Great Romantic&#8221; of Chinese poetry, Xu Zhimo"},"content":{"rendered":"<p><a href=\"http:\/\/supchina.com\/2017\/11\/16\/the-great-romantic-of-20th-century-chinese-poetry-xu-zhimo\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/supchina.com\/wp-content\/uploads\/2017\/11\/Xu-Zhimo.jpg?resize=508%2C259\" alt=\"https:\/\/i0.wp.com\/supchina.com\/wp-content\/uploads\/2017\/11\/Xu-Zhimo.jpg?resize=508%2C259\" width=\"508\" height=\"259\" data-recalc-dims=\"1\" \/><\/a>Is Xu Zhimo \u5f90\u5fd7\u6469 (<span class=\"_Xbe kno-fv\">1897 &#8211; <\/span><span class=\"_Xbe kno-fv\">1931<\/span>) unknown outside China? In advance of an event at New York&#8217;s Renwen Society at the China Institute (now passed) in honor of Xu&#8217;s 120th birthday&#8211;which was &#8220;<strong>conducted in Chinese, with no interpretation<\/strong>&#8220;&#8211;Eleanor Goodman considered for <a href=\"http:\/\/supchina.com\/2017\/11\/16\/the-great-romantic-of-20th-century-chinese-poetry-xu-zhimo\/\" target=\"_blank\" rel=\"noopener\"><em>SupChina<\/em><\/a>\u00a0whether that should be the case.<\/p>\n<p>She writes:<\/p>\n<blockquote><p>His most famous poem, \u201cAnother Farewell to Cambridge\u201d (<em>\u518d\u522b\u5eb7\u6865<\/em> Z\u00e0ibi\u00e9 K\u0101ngqi\u00e1o, commonly translated as \u201cSaying Goodbye to Cambridge Again,\u201d though there are many translations for this title) is a paean to the River Cam in Cambridge, where he spent a year at King\u2019s College. It begins (translation mine):<\/p>\n<p style=\"padding-left: 30px;\">Quietly I go,<br \/>\nAs quietly as I came;<br \/>\nQuietly I wave<br \/>\nfarewell to the western clouds.<\/p>\n<p style=\"padding-left: 30px;\">The golden willow by the banks<br \/>\nis the bride of the setting sun.<br \/>\nReflections shimmer on the water<br \/>\nand ripple through my mind.<\/p>\n<\/blockquote>\n<p>and continues,<\/p>\n<blockquote><p>In the poem \u201cBy Chance\u201d (<em>\u5076\u7136<\/em> \u01d1ur\u00e1n) he writes (my translation again):<\/p>\n<p style=\"padding-left: 30px;\">I am a cloud in the sky,<br \/>\nthat shadows your stirred heart by chance.<br \/>\nNo need for you to feel surprise,<br \/>\nstill less to be delighted,<br \/>\nin a flash, every trace of me will be gone.<\/p>\n<p>So it seems. Xu wrote what he lived, and lived what he wrote. To be reminded by these poems of Keats or of Shelley (\u201cI bring fresh showers for the thirsting flowers,\u00a0\/ From the seas and the streams;\u00a0\/ I bear light shade for the leaves when laid\u00a0\/ In their noonday dreams\u201d) is right on target. These Western poets were a direct influence on the Crescent Moon Society, and their Romanticism \u2014 a reliance on natural images, gestures toward the sublime, an emphasis on individual sensual experience \u2014 became the main model for this innovative group of Chinese poets, Xu primary among them.<\/p><\/blockquote>\n<p>Goodman is right, of course, about Xu&#8217;s significance to modern Chinese literary history, but I admit I&#8217;ve never grieved over his being unknown in English&#8211;until now, that is. Reading these fragments of Goodman&#8217;s translations, I&#8217;m almost ready to change my mind.<\/p>\n<p>Click on the image above to read the piece in full.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Is Xu Zhimo \u5f90\u5fd7\u6469 (1897 &#8211; 1931) unknown outside China? In advance of an event at New York&#8217;s Renwen Society at the China Institute (now passed) in honor of Xu&#8217;s 120th birthday&#8211;which was &#8220;conducted in Chinese, with no interpretation&#8220;&#8211;Eleanor Goodman &hellip; <a href=\"https:\/\/xichuanpoetry.com\/?p=3934\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3,1],"tags":[388,1365,1946,35],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-11s","jetpack-related-posts":[{"id":3537,"url":"https:\/\/xichuanpoetry.com\/?p=3537","url_meta":{"origin":3934,"position":0},"title":"Bai Meigui Chinese Poetry Translation Competition","author":"Lucas Klein","date":"August 10, 2016","format":false,"excerpt":"The University of Leeds is hosting its third Bai Meigui Translation Competition, with poems--by Chi Lingyun \u6c60\u51cc\u4e91, Qin Xiaoyu \u79e6\u6653\u5b87, and Xu Xiangchou \u5f90\u4e61\u6101--chosen by judges Eleanor Goodman, Heather Inwood, and Canaan Morse. The winner will receive a \u00a3490 bursary to the \u2018Translate in the City\u2018 summer school at City\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3874,"url":"https:\/\/xichuanpoetry.com\/?p=3874","url_meta":{"origin":3934,"position":1},"title":"Goodman on Wang&#8217;s New Literary History of Modern China","author":"Lucas Klein","date":"October 11, 2017","format":false,"excerpt":"The new \"China Channel\" of the LA Review of Books has published Eleanor Goodman's review of A New Literary History of Modern China, edited by David Der-Wei Wang \u738b\u5fb7\u5a01. 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These poems are translated into Chinese and back into English by members of a \u201cworkshop\u201d of eight fellow translators--Zhou Yu,\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tinfishpress.com\/wp-content\/uploads\/2015\/04\/Stalling-Cover.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3511,"url":"https:\/\/xichuanpoetry.com\/?p=3511","url_meta":{"origin":3934,"position":4},"title":"Bem on Stalling&#8217;s Lost Wax","author":"Lucas Klein","date":"June 6, 2016","format":false,"excerpt":"Queen Mob's Teahouse now features Greg Bem's review of Lost Wax, poems by Jonathan Stalling with Chinese and English re-translations by Zhou Yu, Yao Benbiao, Nick Admussen, Jennifer Feeley, Jami Proctor-Xu, Eleanor Goodman, Andrea Lingenfelter, and me. Here's how it ends: Moving from poem to poem, curiosity strikes me: is\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/queenmobs.com\/wp-content\/uploads\/2016\/05\/Stalling-Cover-682x1024.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3371,"url":"https:\/\/xichuanpoetry.com\/?p=3371","url_meta":{"origin":3934,"position":5},"title":"Goodman&#8217;s Xu Lizhi in China Labour Bulletin","author":"Lucas Klein","date":"January 15, 2016","format":false,"excerpt":"Eleanor Goodman's new translations of the work of Xu Lizhi \u8bb8\u7acb\u5fd7 have now been\u00a0published on China Labour Bulletin. She writes: As I translated the poetry ... I was immediately attracted to Xu\u2019s straightforwardness, honesty, and darkness. Although his life was clearly unhappy--indeed, he committed suicide a little over a year\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.clb.org.hk\/en\/sites\/default\/files\/Image\/general\/shenzhen%20worker%20housing%202.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/3934"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3934"}],"version-history":[{"count":2,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/3934\/revisions"}],"predecessor-version":[{"id":3936,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/3934\/revisions\/3936"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}