{"id":3761,"date":"2017-05-19T09:00:24","date_gmt":"2017-05-19T01:00:24","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=3761"},"modified":"2017-05-19T09:24:21","modified_gmt":"2017-05-19T01:24:21","slug":"kleins-ouyang-jiange-in-seedings","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=3761","title":{"rendered":"Klein&#8217;s Ouyang Jianghe in Seedings"},"content":{"rendered":"<p><a href=\"http:\/\/durationpress.com\/projects\/seedings\/seedings-issue-three\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-1430 aligncenter\" src=\"https:\/\/i0.wp.com\/durationpress.com\/wp-content\/uploads\/2017\/04\/seedings-3_fc-full.jpg?resize=477%2C594\" alt=\"\" width=\"477\" height=\"594\" data-recalc-dims=\"1\" \/><\/a>Issue three of the literary journal <a href=\"http:\/\/durationpress.com\/projects\/seedings\/seedings-issue-three\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Seedings<\/em><\/a>, edited by Jerrold Shiroma, is now out, featuring sections of my translation of &#8220;Taj Mahal Tears&#8221; \u6cf0\u59ec\u9675\u4e4b\u6cea by Ouyang Jianghe \u6b27\u9633\u6c5f\u6cb3&#8211;alongside new work by Will Alexander, Marry Oppen, Matt Turner, Elizabeth Willis, Osip Mandelstam, Michael Palmer, and more!<\/p>\n<blockquote><p>Poetry does not have an identity of its own, its praj\u00f1\u0101 and insight<br \/>\nare polyphonic, beginning in two, exerted from other objects.<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;.<\/span>The gods and the departed face off<br \/>\nlike the narcissus, intoning the original poem\u2019s splendor<br \/>\nand its fragrance. Tears extract themselves from polysemy,<br \/>\nelapsing and simultaneously creating their boundaries<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;.<\/span> and plasticity,<br \/>\nbecause the tears of poetry\u2019s minstrelsy flow from a statue,<br \/>\nwithin which flow the materials of consciousness,<br \/>\ne.g., the crystals in the nightingale\u2019s throat,<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;.<\/span>those tiny metals.<br \/>\nBut in rural India, why is the peacock\u2019s cry choked up,<br \/>\nwhy does the history of words again become a history of dust?<\/p>\n<p><em>\u8bd7\u6b4c\u5e76\u65e0\u81ea\u5df1\u7684\u8eab\u4efd\uff0c\u5b83\u7684\u5f7b\u609f\u548c\u6d1e\u89c1<\/em><br \/>\n<em>\u662f\u590d\u8c03\u7684\uff0c\u59cb\u4e8e\u4e8c\u7684\uff0c\u662f\u5176\u4ed6\u4e8b\u7269\u65bd\u52a0\u7684\u3002<\/em><br \/>\n<em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u795e\u4e0e\u4ea1\u7075\u7684\u5bf9\u89c6<\/em><br \/>\n<em>\u6c34\u4ed9\u822c\uff0c\u652f\u543e\u7740\u4e00\u4e2a\u5143\u8bd7\u6b4c\u7684\u5a40\u5a1c<\/em><br \/>\n<em>\u548c\u82ac\u82b3\u3002\u773c\u6cea\u4ece\u8bcd\u7684\u591a\u4e49\u62bd\u8eab\u51fa\u6765\uff0c<\/em><br \/>\n<em>\u5b83\u4e00\u8fb9\u6d41\u901d\uff0c\u4e00\u8fb9\u521b\u9020\u81ea\u5df1\u7684\u8fb9\u754c<\/em><br \/>\n<em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u548c\u53ef\u5851\u6027\uff0c<\/em><br \/>\n<em>\u56e0\u4e3a\u8bd7\u6b4c\u7684\u884c\u541f\u7684\u6cea\u6c34\u662f\u96d5\u50cf\u6d41\u51fa\u7684\uff0c<\/em><br \/>\n<em>\u91cc\u9762\u6d41\u52a8\u7740\u4e00\u4e9b\u77e5\u89c9\u7684\u6750\u6599\uff0c<\/em><br \/>\n<em>\u6bd4\u5982\uff0c\u591c\u83ba\u6df1\u5589\u91cc\u7684\u90a3\u4e9b\u6c34\u6676\uff0c<\/em><br \/>\n<em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u90a3\u4e9b\u5c0f\u91d1\u5c5e\u3002<\/em><br \/>\n<em>\u4f46\u5728\u4e61\u6751\u5370\u5ea6\uff0c\u4e3a\u4ec0\u4e48\u5b54\u96c0\u7684\u53eb\u58f0\u5982\u6b64\u54fd\u54bd\uff0c<\/em><br \/>\n<em>\u4e3a\u4ec0\u4e48\u8bcd\u7684\u5386\u53f2\u4f1a\u518d\u6b21\u6210\u4e3a\u5c18\u57c3\u7684\u5386\u53f2\uff1f<\/em><\/p><\/blockquote>\n<p>Click the image above to download the full .pdf of the issue.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Issue three of the literary journal Seedings, edited by Jerrold Shiroma, is now out, featuring sections of my translation of &#8220;Taj Mahal Tears&#8221; \u6cf0\u59ec\u9675\u4e4b\u6cea by Ouyang Jianghe \u6b27\u9633\u6c5f\u6cb3&#8211;alongside new work by Will Alexander, Marry Oppen, Matt Turner, Elizabeth Willis, Osip &hellip; <a href=\"https:\/\/xichuanpoetry.com\/?p=3761\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3],"tags":[1841,1838,1839,1710,577,602,236,353],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-YF","jetpack-related-posts":[{"id":3496,"url":"https:\/\/xichuanpoetry.com\/?p=3496","url_meta":{"origin":3761,"position":0},"title":"Turner on Woerner&#8217;s Ouyang Jianghe","author":"Lucas Klein","date":"May 16, 2016","format":false,"excerpt":"Matt Turner writes in Jacket2 about Austin Woerner's translations of Ouyang Jianghe \u6b27\u9633\u6c5f\u6cb3, as published in the two Zephyr volumes Doubled Shadows \u91cd\u5f71 and Phoenix \u51e4\u51f0. He lays out the problem: Ouyang Jianghe\u2019s poetry presents to any translator the difficult decision of whether or not to pursue his work as\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3490,"url":"https:\/\/xichuanpoetry.com\/?p=3490","url_meta":{"origin":3761,"position":1},"title":"Turner on Ouyang Jianghe","author":"Lucas Klein","date":"May 11, 2016","format":false,"excerpt":"Ouyang Jianghe \u6b27\u9633\u6c5f\u6cb3 gave a reading at the China Institute on May 7th, moderated by Yibing Huang (poet Mai Mang \u9ea6\u8292). Here's Matt Turner's write-up of the event: BUILDING POETRY WITH MATERIAL Poet Ouyang Jianghe gave a poetry reading at the China Institute in New York, followed by a discussion\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"image3","src":"https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2016\/05\/image3-e1462804351846-768x1024.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2263,"url":"https:\/\/xichuanpoetry.com\/?p=2263","url_meta":{"origin":3761,"position":2},"title":"WLT Review of Han Dong &#038; Ouyang Jianghe","author":"Lucas Klein","date":"November 4, 2013","format":false,"excerpt":"World Literature Today has published Josh Stenberg's review of Zephyr books A Phone Call from Dalian by Han Dong\u00a0\u97e9\u4e1c, translated by Nicky Harman, and Doubled Shadows by Ouyang Jianghe \u6b27\u9633\u6c5f\u6cb3, translated by Austin Woerner: Ouyang Jianghe and Han Dong ... both occupy established places in what, for over thirty years,\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.worldliteraturetoday.org\/sites\/default\/files\/2013\/September\/dong_aphonecallfromdalian.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3460,"url":"https:\/\/xichuanpoetry.com\/?p=3460","url_meta":{"origin":3761,"position":3},"title":"Lantz on Phoenix","author":"Lucas Klein","date":"March 23, 2016","format":false,"excerpt":"Tim Lantz at the LA Review reviews Phoenix \u51e4\u51f0, by Ouyang Jianghe \u6b27\u9633\u6c5f\u6cb3 as translated by Austin Woerner: It\u2019s not hard to see why Ouyang Jianghe considers Phoenix his magnum opus. The book-length poem, at once difficult and exciting, feels like somehow watching the brain and musculature of an in-motion\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/losangelesreview.org\/wp-content\/uploads\/2016\/03\/41ngjbO5jzL._SX258_BO1204203200_-200x156.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1344,"url":"https:\/\/xichuanpoetry.com\/?p=1344","url_meta":{"origin":3761,"position":4},"title":"Ouyang Jianghe &#038; Egoyan Zheng &#8220;Fiction and Imagination: Many Facets of Literary Expression&#8221;","author":"Lucas Klein","date":"November 7, 2012","format":false,"excerpt":"Chinese Public Talk \"Fiction and Imagination: Many Facets of Literary Expression\" Moderator: Dr. William Ng (Department of Religion and Philosophy, HKBU) Speakers: Mr. Ouyang Jianghe Mr. Egoyan Zheng The talk is conducted in Putonghua. 7 Nov 2012 (Wed) 4:00pm - 5.30pm RRS905, Sir Run Run Shaw Building, Hong Kong Baptist\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"http:\/\/iww.hkbu.edu.hk\/download\/20121137.jpg","src":"https:\/\/i0.wp.com\/iww.hkbu.edu.hk\/download\/20121137.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3787,"url":"https:\/\/xichuanpoetry.com\/?p=3787","url_meta":{"origin":3761,"position":5},"title":"Klein\u2019s Ouyang Jianghe in Almost Island","author":"Lucas Klein","date":"May 31, 2017","format":false,"excerpt":"The tenth anniversary issue of Almost Island is now out, featuring sections of my translation of \u201cTaj Mahal Tears\u201d \u6cf0\u59ec\u9675\u4e4b\u6cea by Ouyang Jianghe \u6b27\u9633\u6c5f\u6cb3\u2013alongside new work by Arvind Krishna Mehrotra, John Robert Lee,\u00a0R\u00e9gis Bonvicino, and\u00a0Valerie Mejer Caso. The editors write: \"Taj Mahal Tears\" was produced from a visit by Chinese\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2017\/05\/China-India-Dialogue-1024x680.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/3761"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3761"}],"version-history":[{"count":9,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/3761\/revisions"}],"predecessor-version":[{"id":3770,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/3761\/revisions\/3770"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}