{"id":3498,"date":"2016-05-23T09:30:37","date_gmt":"2016-05-23T01:30:37","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=3498"},"modified":"2016-05-23T09:58:54","modified_gmt":"2016-05-23T01:58:54","slug":"eberlein-on-han-dong-in-english","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=3498","title":{"rendered":"Eberlein on Han Dong in English"},"content":{"rendered":"<div class=\"featuredImage\">\n<div class=\"material-placeholder\"><a href=\"https:\/\/lareviewofbooks.org\/article\/good-way-translate-chinese-poetry\/\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"initialized alignleft\" src=\"https:\/\/i0.wp.com\/lareviewofbooks-org.scdn3.secure.raxcdn.com\/wp-content\/uploads\/2016\/05\/handong-1.jpg?resize=229%2C304&#038;ssl=1\" width=\"229\" height=\"304\" data-recalc-dims=\"1\" \/><\/a>Xujun Eberlein in <em>LARB<\/em> looks at Han Dong \u97e9\u4e1c in English and asks, &#8220;<a href=\"https:\/\/lareviewofbooks.org\/article\/good-way-translate-chinese-poetry\/\" target=\"_blank\">Is There a Good Way to Translate Chinese Poetry?<\/a>&#8220;<\/div>\n<div class=\"material-placeholder\"><\/div>\n<div class=\"material-placeholder\">Her answer is clearly yes. She asks, &#8220;why would I want to read a translation that has departed from the original? Wouldn\u2019t I be better off reading original poetry in the target language, instead of a half-baked translation?&#8221;<\/div>\n<\/div>\n<p>She looks at Han as presented in two translations, one the recent <em>Phone Call from Dalian<\/em> with translations by Nicky Harman and Maghiel van Crevel, and the other the anthology <em>Another Kind of Nation<\/em>. Eberlein writes:<\/p>\n<blockquote><p>Why do we read translated poetry after all? If specific manners of expression and thinking, different uses of words and images, serve as the carrier of a different culture and reality, the stuff that draws in the translator and reader alike, what can translation accomplish? For poetry, language\u2014the nuance of language\u2014is paramount. We care not only about a poem\u2019s meaning; we care equally, if not more, about how thoughts and observations are expressed in unfamiliar, refreshing ways. Form is part of content in poetry translation.<\/p><\/blockquote>\n<p>Click the image above for the full article, and for my own takes, see my reviews of <a href=\"https:\/\/u.osu.edu\/mclc\/book-reviews\/dalian-phone-call\/\" target=\"_blank\"><em>A Phone Call from Dalian<\/em> <\/a>and <a href=\"http:\/\/www.raintaxi.com\/another-kind-of-nation-an-anthology-of-contemporary-chinese-poetry\/\" target=\"_blank\"><em>Another Kind of Nation<\/em>.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Xujun Eberlein in LARB looks at Han Dong \u97e9\u4e1c in English and asks, &#8220;Is There a Good Way to Translate Chinese Poetry?&#8220; Her answer is clearly yes. She asks, &#8220;why would I want to read a translation that has departed &hellip; <a href=\"https:\/\/xichuanpoetry.com\/?p=3498\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3,16],"tags":[135,309,399,1716],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-Uq","jetpack-related-posts":[{"id":4693,"url":"https:\/\/xichuanpoetry.com\/?p=4693","url_meta":{"origin":3498,"position":0},"title":"Announcing publication of Chinese Poetry and Translation: Rights and Wrongs","author":"Lucas Klein","date":"November 29, 2019","format":false,"excerpt":"Chinese Poetry and Translation: Rights and Wrongs We are pleased to announce publication of\u00a0Chinese Poetry\u00a0and Translation: Rights and Wrongs\u00a0(Amsterdam University\u00a0Press, 2019). Open access download\u00a0here.\u00a0Order print copies\u00a0here. CHINESE POETRY AND TRANSLATION: RIGHTS AND WRONGS \u00a0 \u00a0\u00a0edited by\u00a0Maghiel van Crevel and Lucas Klein Introduction: The Weird Third\u00a0Thing \u00a0 \u00a0\u00a0Maghiel\u00a0van Crevel and Lucas\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2019\/11\/9789462989948_prom-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2019\/11\/9789462989948_prom-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2019\/11\/9789462989948_prom-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2019\/11\/9789462989948_prom-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2019\/11\/9789462989948_prom-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2019\/11\/9789462989948_prom-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":3644,"url":"https:\/\/xichuanpoetry.com\/?p=3644","url_meta":{"origin":3498,"position":1},"title":"van Crevel on Chinese Migrant Worker Poetry","author":"Lucas Klein","date":"February 27, 2017","format":false,"excerpt":"At Modern Chinese Literature & Culture Maghiel van Crevel reviews Iron Moon the film (directed by Qin Xiaoyu \u79e6\u6653\u5b87 and Wu Feiyue \u5434\u98de\u8dc3) and the anthology (edited by Qin Xiaoyu, translated by Eleanor Goodman). 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Harman, who specializes in fiction, nonfiction and poetry, began learning Chinese in 1968 and previously taught translation at Imperial College London. \"At the\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/europe.chinadaily.com.cn\/epaper\/images\/attachement\/jpg\/site241\/20150522\/f04da2db112216c8c8412c.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2948,"url":"https:\/\/xichuanpoetry.com\/?p=2948","url_meta":{"origin":3498,"position":4},"title":"Asian Cha reviews Han Dong &#038; Lan Lan","author":"Lucas Klein","date":"January 21, 2015","format":false,"excerpt":"Lu Jin at Cha reviews A Phone Call from Dalian \u6765\u81ea\u5927\u8fde\u7684\u7535\u8bdd, by Han Dong \u97e9\u4e1c as edited and translated by Nicky Harman, and Canyon in the Body \u8eab\u4f53\u91cc\u7684\u5ce1\u8c37, by Lan Lan \u84dd\u84dd as translated by Fiona Sze-Lorrain. 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