{"id":3468,"date":"2016-04-01T09:30:10","date_gmt":"2016-04-01T01:30:10","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=3468"},"modified":"2016-03-29T10:17:00","modified_gmt":"2016-03-29T02:17:00","slug":"klein-on-krasznahorkai-on-chinese-poets-in-cha","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=3468","title":{"rendered":"Klein on Krasznahorkai on Chinese Poets in Cha"},"content":{"rendered":"<p style=\"text-align: left;\" align=\"justify\"><a href=\"http:\/\/www.asiancha.com\/content\/view\/2302\/541\/\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft\" title=\"Image\" src=\"https:\/\/i0.wp.com\/www.asiancha.com\/images\/stories\/issue31\/reviews\/destruction+sorrow.jpg?resize=267%2C400\" alt=\"Image\" width=\"267\" height=\"400\" border=\"0\" hspace=\"6\" data-recalc-dims=\"1\" \/><\/a>The new <em>Cha<\/em> also features my <a href=\"http:\/\/www.asiancha.com\/content\/view\/2302\/541\/\" target=\"_blank\">review of L\u00e1szl\u00f3 Krasznahorkai&#8217;s<\/a> <em>Destruction and Sorrow beneath the Heavens<\/em>, translated from Hungarian by Ottilie Mulzet. Semi-fictional reportage about Krasznahorkai&#8217;s travels through China, it features transcripts of discussions with Chinese poets&#8211;which I elaborate on in my review:<\/p>\n<blockquote>\n<p style=\"text-align: left;\" align=\"justify\">My own reading experience was one of being amazed at the representative resonances with those whom I know among the book&#8217;s characters\u2014critic Tang Xiaodu and poets Yang Lian and Ouyang Jianghe as well as Xi Chuan\u2014while also being enwrapped in the dramatic tension of its various frustrations.<\/p>\n<\/blockquote>\n<p style=\"text-align: left;\" align=\"justify\">I also take a look at whether the book is fictional, and how Krasznahorkai plays with central questions in Chinese literary studies to<\/p>\n<blockquote>\n<p style=\"text-align: left;\" align=\"justify\">While those trained in European literature are equipped to believe that writing is in itself a fictional act, others have argued, &#8220;In the Chinese literary tradition, a poem is usually presumed to be nonfictional: its statements are taken as strictly true.&#8221; But this statement is itself at the core of further debates in Chinese literary studies, such as about Orientalism and the mental sequestering of China as an object of study that comprises much scholarship in Chinese literature.<\/p>\n<\/blockquote>\n<p style=\"text-align: left;\" align=\"justify\">These debates play out implicitly in the pages of the book, I say:<\/p>\n<blockquote>\n<p style=\"text-align: left;\" align=\"justify\">This is the game Krasznahorkai plays. His self-aware presentation of his Westerner&#8217;s vision is embodied and embedded in his structure. In Hungarian, Stein&#8217;s name is Dante. Changing it to Stein invokes Aurel Stein (1862\u20131943), the Hungarian-British archaeologist who discovered the grottoes at Dunhuang and removed four cases of relics and paintings and twenty-four cases of medieval manuscripts to the British Museum in London, where they are preserved, or to which they were stolen. But the moniker Dante also implies <em>Destruction and Sorrow<\/em>&#8216;s knowing Eurocentrism: the book&#8217;s three-part structure proceeds through the hell of the narrator&#8217;s exasperation to the utopia of the Suzhou gardens &#8230; By positing his China as a passage through the hereafter, Krasznahorkai acknowledges his enclosure within the Western tradition. Not that all narratives in Western literature are fulfilled: from Exodus to <em>Ulysses<\/em>, heroes have failed in their journeys, too. Or that unfulfilled narratives are the only Chinese authentic: don&#8217;t the pilgrims in <em>Journey to the West<\/em> reach Buddha&#8217;s Western Heaven?<\/p>\n<\/blockquote>\n<p>Click the image above for the full review.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The new Cha also features my review of L\u00e1szl\u00f3 Krasznahorkai&#8217;s Destruction and Sorrow beneath the Heavens, translated from Hungarian by Ottilie Mulzet. Semi-fictional reportage about Krasznahorkai&#8217;s travels through China, it features transcripts of discussions with Chinese poets&#8211;which I elaborate on &hellip; <a href=\"https:\/\/xichuanpoetry.com\/?p=3468\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3,16],"tags":[1709,1269,462,1404,236,95,1654,21],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-TW","jetpack-related-posts":[{"id":2962,"url":"https:\/\/xichuanpoetry.com\/?p=2962","url_meta":{"origin":3468,"position":0},"title":"Wolfgang Kubin interviewed at CLT","author":"Lucas Klein","date":"January 28, 2015","format":false,"excerpt":"In the new Chinese Literature Today, editor Jonathan Stalling interviews Wolfgang Kubin about his life and the poets and poetry he's known. Zhang Zao and Ouyang Jianghe wanted pure poetry and new vocabulary, whereas the vocabulary of Bei Dao before '89 is quite conventional and comes close to what the\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ou.edu\/clt\/04-02\/assets\/interivewKubinArticle.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3105,"url":"https:\/\/xichuanpoetry.com\/?p=3105","url_meta":{"origin":3468,"position":1},"title":"Sound &#038; Image: Chinese Poets in Conversation","author":"Lucas Klein","date":"March 30, 2015","format":false,"excerpt":"As part of the \"Birds of Metal in Flight\" event, Columbia University hosted a panel discussion with Bei Dao \u5317\u5c9b, Ouyang Jianghe \u6b27\u9633\u6c5f\u6cb3, Xi Chuan \u897f\u5ddd, Zhai Yongming \u7fdf\u6c38\u660e, Zhou Zan \u5468\u74d2, and Xu Bing \u5f90\u51b0, as moderated by Lydia Liu \u5218\u79be and John Rajchman and introduced by Eugenia Lean,\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"IMGP0652","src":"https:\/\/weaicolumbia.files.wordpress.com\/2015\/02\/imgp0652.jpg?w=350&h=200&crop=1","width":350,"height":200},"classes":[]},{"id":931,"url":"https:\/\/xichuanpoetry.com\/?p=931","url_meta":{"origin":3468,"position":2},"title":"Jade Ladder&#8217;s Poets","author":"Lucas Klein","date":"May 21, 2012","format":false,"excerpt":"I've compiled a list of the poets whose work appears in English translation in Jade Ladder, the new anthology of contemporary Chinese poetry edited by Yang Lian \u6768\u70bc, W N Herbert, Brian Holton, and Qin Xiaoyu \u79e6\u6653\u5b87. The anthology presents the work of poets by birth year, but the work\u2026","rel":"","context":"In &quot;Anthologies&quot;","block_context":{"text":"Anthologies","link":"https:\/\/xichuanpoetry.com\/?cat=13"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1263,"url":"https:\/\/xichuanpoetry.com\/?p=1263","url_meta":{"origin":3468,"position":3},"title":"Yang Mu wins Newman Prize for Chinese Literature","author":"Lucas Klein","date":"October 9, 2012","format":false,"excerpt":"Taiwan-born and -raised poet Yang Mu \u694a\u7267 has won the Newman Prize for Chinese Literature from the\u00a0University of Oklahoma. Yang was nominated by UC Davis professor Michelle Yeh, co-translator with Lawrence R. Smith of Yang's collection No Trace of the Gardener (another volume, translated by Joseph Allen, was published as\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2393,"url":"https:\/\/xichuanpoetry.com\/?p=2393","url_meta":{"origin":3468,"position":4},"title":"Lilburn on Xi Chuan &#038; Zhai Yongming in Brick","author":"Lucas Klein","date":"January 28, 2014","format":false,"excerpt":"The Canadian literary journal Brick has published Tim Lilburn's essay on \"A Mandelstamian Generation in China,\" on Xi Chuan and Zhai Yongming \u7fdf\u6c38\u660e. He writes, There has been a tendency in North America and Europe to imagine Chinese writers, poets especially perhaps, as inevitably and necessarily political, dissidents in a\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/brickmag.com\/sites\/default\/files\/imagecache\/banner_left\/brick92_coverfinal_withborder.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1558,"url":"https:\/\/xichuanpoetry.com\/?p=1558","url_meta":{"origin":3468,"position":5},"title":"Canaan Morse on &#8220;Poetic Creation and the Online Environment&#8221;","author":"Lucas Klein","date":"January 22, 2013","format":false,"excerpt":"From Paper Republic: Chinese poet and poetry critic Qin Xiaoyu invited the Proletarian to attend a meeting at Peking University last Friday on poetry in online media. The meeting was sponsored and chaired by Yang Erwen, founder of ArtsBj.com (\u5317\u4eac\u6587\u827a\u7f51), and Yang Lian, whom Yang Erwen has worked into some\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/3468"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3468"}],"version-history":[{"count":2,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/3468\/revisions"}],"predecessor-version":[{"id":3470,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/3468\/revisions\/3470"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}