{"id":3330,"date":"2015-12-18T09:30:27","date_gmt":"2015-12-18T01:30:27","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=3330"},"modified":"2015-12-18T09:54:14","modified_gmt":"2015-12-18T01:54:14","slug":"lingenfelters-chen-jingrong-in-clt","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=3330","title":{"rendered":"Lingenfelter’s & Meng’s Chen Jingrong in CLT"},"content":{"rendered":"
\"Volume<\/a>The new issue of Chinese Literature Today <\/em><\/a>features new translations by Andrea Lingenfelter and Liansu Meng \u5b5f\u83b2\u7d20 of poetry by Chen Jingrong \u9648\u656c\u5bb9:<\/div>\n
<\/div>\n
<\/div>\n
\n
Yellow<\/div>\n<\/blockquote>\n
<\/div>\n
\n
Yellow dusk, yellow sand,<\/div>\n
Dredging from the dust these<\/div>\n
Yellowed memories,<\/div>\n
The shadow on the wall lets out a sigh.<\/div>\n<\/blockquote>\n
<\/div>\n
\n
Welling up in my imagination<\/div>\n
A vast ocean like a mirror,<\/div>\n
In its pure, translucent waves<\/div>\n
I listen closely for my own lonely footfalls.<\/div>\n
<\/div>\n
\u9ec4<\/em><\/div>\n<\/blockquote>\n
<\/div>\n
\n
\u9ec4\u660f,\u9ec4\u6c99,<\/em><\/div>\n
\u5c18\u7070\u91cc\u6398\u8d77<\/em><\/div>\n
\u53d1\u9ec4\u7684\u8bb0\u5fc6,<\/em><\/div>\n
\u58c1\u4e0a\u7684\u5f71\u5b50\u53f9\u606f\u3002<\/em><\/div>\n<\/blockquote>\n
<\/div>\n
\n
\u5e7b\u60f3\u91cc\u6d8c\u8d77<\/em><\/div>\n
\u4e00\u7247\u5927\u6d77\u5982\u5883,<\/em><\/div>\n
\u5728\u900f\u660e\u7684\u6e05\u6ce2\u91cc<\/em><\/div>\n
\u8c1b\u542c\u81ea\u5df1\u5bc2\u5bde\u7684\u8db3\u97f3\u3002<\/em><\/div>\n<\/blockquote>\n

Click on the image for more.<\/p>\n","protected":false},"excerpt":{"rendered":"

The new issue of Chinese Literature Today features new translations by Andrea Lingenfelter and Liansu Meng \u5b5f\u83b2\u7d20 of poetry by Chen Jingrong \u9648\u656c\u5bb9: Yellow Yellow dusk, yellow sand, Dredging from the dust these Yellowed memories, The shadow on the wall … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3],"tags":[491,804,801],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-RI","jetpack-related-posts":[{"id":1357,"url":"https:\/\/xichuanpoetry.com\/?p=1357","url_meta":{"origin":3330,"position":0},"title":"Inferno Tango on Dissertation Reviews","author":"Lucas Klein","date":"November 8, 2012","format":false,"excerpt":"Dissertation Reviews has posted Dun Wang's review of Meng Liansu's The Inferno Tango: Gender Politics and Modern Chinese Poetry, 1917-1980. 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CHINESE POETRY AND TRANSLATION: RIGHTS AND WRONGS \u00a0 \u00a0\u00a0edited by\u00a0Maghiel van Crevel and Lucas Klein Introduction: The Weird Third\u00a0Thing \u00a0 \u00a0\u00a0Maghiel\u00a0van Crevel and Lucas\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2019\/11\/9789462989948_prom-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2019\/11\/9789462989948_prom-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2019\/11\/9789462989948_prom-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2019\/11\/9789462989948_prom-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2019\/11\/9789462989948_prom-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2019\/11\/9789462989948_prom-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4072,"url":"https:\/\/xichuanpoetry.com\/?p=4072","url_meta":{"origin":3330,"position":2},"title":"The Moving Target: Translation and Chinese Poetry at Leiden","author":"Lucas Klein","date":"May 18, 2018","format":false,"excerpt":"On 1\u20132 June 2018, an international group of scholars will meet at Leiden University to discuss fifteen papers that bring together expert knowledge on poetry in Chinese and critical engagement with the notion of translation. Texts, authors, and issues discussed range from the ancient Book of Songs to 21st-century migrant\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2525,"url":"https:\/\/xichuanpoetry.com\/?p=2525","url_meta":{"origin":3330,"position":3},"title":"MCLC Review of Jade Ladder","author":"Lucas Klein","date":"April 2, 2014","format":false,"excerpt":"Modern Chinese Literature & Culture has published Meng Liansu\u2019s review of Jade Ladder: Contemporary Chinese Poetry, edited by Yang Lian \u6768\u70bc and W. N. Herbert, with Brian Holton and Qin Xiaoyu \u79e6\u6653\u5b87. 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Click here for my my review of\u00a0The Changing Room, and here for the full list of NCBA nominees and winners (Michael Palmer\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/3330"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3330"}],"version-history":[{"count":6,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/3330\/revisions"}],"predecessor-version":[{"id":3355,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/3330\/revisions\/3355"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}