{"id":2969,"date":"2014-12-23T09:30:49","date_gmt":"2014-12-23T01:30:49","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=2969"},"modified":"2014-12-22T09:27:45","modified_gmt":"2014-12-22T01:27:45","slug":"caap-in-shanghai","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=2969","title":{"rendered":"CAAP in Shanghai"},"content":{"rendered":"<div class=\"field field-type-filefield field-field-image-feature\">\n<div class=\"field-items\">\n<div class=\"field-item odd\">\n<figure><a href=\"https:\/\/media.sas.upenn.edu\/jacket2\/pdf\/CAAP-2014.pdf\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"imagecache imagecache-wide_main_column imagecache-default imagecache-wide_main_column_default alignleft\" title=\"\" src=\"https:\/\/i0.wp.com\/jacket2.org\/sites\/jacket2.org\/files\/imagecache\/wide_main_column\/CAAP-2014_0.png?resize=206%2C307\" alt=\"\" width=\"206\" height=\"307\" data-recalc-dims=\"1\" \/><\/a>The <a href=\"http:\/\/writing.upenn.edu\/news\/CAAP.html\" target=\"_blank\">Chinese \/ American Association of Poetry and Poetics<\/a> (CAAP) conference just wrapped up last week in Shanghai, featuring Marjorie Perloff, Tan Lin <span class=\"st\">\u6797\u8c2d<\/span>, Yunte Huang \u9ec4\u8fd0\u7279, Charles Bernstein, Tammy Ho \u4f55\u9e97\u660e, and many others.<\/figure>\n<p>Here&#8217;s a link to the <a href=\"https:\/\/media.sas.upenn.edu\/jacket2\/pdf\/CAAP-2014.pdf\" target=\"_blank\">.pdf program<\/a> of what we missed.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Chinese \/ American Association of Poetry and Poetics (CAAP) conference just wrapped up last week in Shanghai, featuring Marjorie Perloff, Tan Lin \u6797\u8c2d, Yunte Huang \u9ec4\u8fd0\u7279, Charles Bernstein, Tammy Ho \u4f55\u9e97\u660e, and many others. Here&#8217;s a link to the &hellip; <a href=\"https:\/\/xichuanpoetry.com\/?p=2969\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3],"tags":[27,26,176,1209,666],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-LT","jetpack-related-posts":[{"id":14,"url":"https:\/\/xichuanpoetry.com\/?p=14","url_meta":{"origin":2969,"position":0},"title":"Dialog on Poetry and Poetics: Chinese \/ American Poetry Conference","author":"Lucas Klein","date":"October 1, 2011","format":false,"excerpt":"Writing from Wuhan \u6b66\u6c49, where we've just wrapped up the CAAP conference titled and celebration of Marjorie Perloff's 80th birthday, with keynote speakers Charles Bernstein, Kenneth Goldsmith, and Chung Ling\u00a0\u937e\u73b2 (who translated two books of classical Chinese poetry with Kenneth Rexroth in the '70s). I spoke on the sociology of\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1064,"url":"https:\/\/xichuanpoetry.com\/?p=1064","url_meta":{"origin":2969,"position":1},"title":"Yunte Huang&#8217;s SHI: A Radical Reading of Chinese Poetry","author":"Lucas Klein","date":"July 28, 2012","format":false,"excerpt":"On his blog at Jacket2 Charles Bernstein has posted Yunte Huang's \u9ec3\u904b\u7279introduction to his 1997 book SHI: A Radical Reading of Chinese Poetry. Huang has since become one of the foremost figures in Chinese - American literary studies, translating Ezra Pound and Michael Palmer into Chinese, and writing the scholarly\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jacket2.org\/sites\/jacket2.org\/files\/imagecache\/wide_main_column\/shicover.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2511,"url":"https:\/\/xichuanpoetry.com\/?p=2511","url_meta":{"origin":2969,"position":2},"title":"CFP: 3rd CAAP Convention, Shanghai December, 2014","author":"Lucas Klein","date":"April 11, 2014","format":false,"excerpt":"The 3rd Convention of the Chinese\/American Association for Poetry and Poetics will take place in Shanghai from December 18 to19, 2014. This convention will be hosted by Shanghai University and co-sponsored by Central China Normal University, Foreign Literature Studies, Forum for World Literature Studies, University of Pennsylvania, and China Three\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2133,"url":"https:\/\/xichuanpoetry.com\/?p=2133","url_meta":{"origin":2969,"position":3},"title":"A Closer Look at Yunte Huang&#8217;s SHI","author":"Lucas Klein","date":"August 1, 2013","format":false,"excerpt":"Gina Elia: A Closer Look at Yunte Huang's SHI Huang\u2019s book of translations, SHI: A Radical Reading of Chinese Poetry, clearly identifies itself as, in part, a response to the Fenollosa\/Pound argument concerning Chinese poetry and its proper translation. However, the primary purpose of the work, as Huang states in\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jacket2.org\/sites\/jacket2.org\/files\/imagecache\/wide_main_column\/shicover_0.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4873,"url":"https:\/\/xichuanpoetry.com\/?p=4873","url_meta":{"origin":2969,"position":4},"title":"Huang Yunte&#8217;s Che Qianzi Shortlisted for Stryk Prize","author":"Lucas Klein","date":"September 21, 2020","format":false,"excerpt":"Huang Yunte's translation of Che Qianzi's No Poetry has been shortlisted for the Lucien Stryk Prize The American Literary Translators Association (ALTA) has announced the shortlist for the 2020 Lucien Stryk Asian Translation Prize: Hysteria, by Kim Yideum, translated from the Korean by Jake Levine, Soeun Seo, and Hedgie Choi\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i2.wp.com\/polymorpheditions.com\/wp-content\/uploads\/2019\/09\/No-poetry-front-cover-2-e1570062380214.jpg?fit=829%2C1200&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4098,"url":"https:\/\/xichuanpoetry.com\/?p=4098","url_meta":{"origin":2969,"position":5},"title":"Huang on Cai&#8217;s How to Read Chinese Poetry in Context","author":"Lucas Klein","date":"June 18, 2018","format":false,"excerpt":"Over at China Channel, Yunte Huang's enthusiastic review of How to Read Chinese Poetry in Context: Poetic Culture from Antiquity Through the Tang, edited by Zong-qi Cai, is now live. Huang writes: It may come as no surprise to scholars well versed in Sinology, but the central thesis that emerges\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i1.wp.com\/chinachannel.org\/wp-content\/uploads\/2018\/06\/pasted-image-0-15.png?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/2969"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2969"}],"version-history":[{"count":2,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/2969\/revisions"}],"predecessor-version":[{"id":2971,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/2969\/revisions\/2971"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}