{"id":2700,"date":"2014-07-17T09:30:03","date_gmt":"2014-07-17T01:30:03","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=2700"},"modified":"2014-07-09T23:53:33","modified_gmt":"2014-07-09T15:53:33","slug":"2700","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=2700","title":{"rendered":"van Crevel Reviews Manfredi&#8217;s Modern Poetry in China"},"content":{"rendered":"<p><a href=\"http:\/\/mclc.osu.edu\/rc\/pubs\/reviews\/vancrevel3.htm\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft\" src=\"https:\/\/i0.wp.com\/mclc.osu.edu\/rc\/pubs\/reviews\/manfredi.jpg?resize=206%2C292\" alt=\"200\" width=\"206\" height=\"292\" border=\"0\" hspace=\"5\" data-recalc-dims=\"1\" \/>Modern Chinese Literature &amp; Culture <\/a>has published Maghiel van Crevel&#8217;s review of <em>Modern Poetry in China: A Visual-Verbal Dynamic<\/em>, by Paul Manfredi. Here&#8217;s how it begins:<\/p>\n<blockquote><p>How does one \u201csee\u201d a poem? Is seeing a poem like reading a painting, a friendly metaphor that brings together various perspectives on literature and art? As such, are there any poems that can<em> not <\/em>be seen, apart from those that commit the unforgivable sin of speaking in abstractions? If not, can the metaphor succeed in capturing a particular set of texts, rather than the genre in its entirety?<\/p><\/blockquote>\n<p>Click on the image above for the full review.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Modern Chinese Literature &amp; Culture has published Maghiel van Crevel&#8217;s review of Modern Poetry in China: A Visual-Verbal Dynamic, by Paul Manfredi. Here&#8217;s how it begins: How does one \u201csee\u201d a poem? Is seeing a poem like reading a painting, &hellip; <a href=\"https:\/\/xichuanpoetry.com\/?p=2700\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3],"tags":[309,32],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/s8srwF-2700","jetpack-related-posts":[{"id":4737,"url":"https:\/\/xichuanpoetry.com\/?p=4737","url_meta":{"origin":2700,"position":0},"title":"Van Crevel on Unofficial Poetry Journals in China","author":"Lucas Klein","date":"March 6, 2020","format":false,"excerpt":"See Maghiel van Crevel lecture on Unofficial Chinese Poetry Journals in the Leiden University Library, in From China with Love. Click the link to see the full web lecture.","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2020\/03\/image.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2020\/03\/image.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2020\/03\/image.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2020\/03\/image.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2020\/03\/image.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/xichuanpoetry.com\/wp-content\/uploads\/2020\/03\/image.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":3644,"url":"https:\/\/xichuanpoetry.com\/?p=3644","url_meta":{"origin":2700,"position":1},"title":"van Crevel on Chinese Migrant Worker Poetry","author":"Lucas Klein","date":"February 27, 2017","format":false,"excerpt":"At Modern Chinese Literature & Culture Maghiel van Crevel reviews Iron Moon the film (directed by Qin Xiaoyu \u79e6\u6653\u5b87 and Wu Feiyue \u5434\u98de\u8dc3) and the anthology (edited by Qin Xiaoyu, translated by Eleanor Goodman). The review begins: Poetry is the most ubiquitous of literary genres. It is written and recited\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/u.osu.edu\/mclc\/files\/2017\/02\/51FjYtBrYfL._SX334_BO1204203200_-1olpc4c-202x300.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3988,"url":"https:\/\/xichuanpoetry.com\/?p=3988","url_meta":{"origin":2700,"position":2},"title":"Edmond on Being Censored in Chinese","author":"Lucas Klein","date":"March 7, 2018","format":false,"excerpt":"At his blog, Jacob Edmond writes about being censored in a Chinese publication. Edmond reviewed Maghiel van Crevel\u2019s\u00a0Chinese Poetry in Times of Mind, Mayhem and Money\u00a0(2008) for The China Quarterly in 2011, and agreed for it to be translated into Chinese for the Journal of Modern Chinese Studies (\u73b0\u4ee3\u4e2d\u6587\u5b66\u520a). But,\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3874,"url":"https:\/\/xichuanpoetry.com\/?p=3874","url_meta":{"origin":2700,"position":3},"title":"Goodman on Wang&#8217;s New Literary History of Modern China","author":"Lucas Klein","date":"October 11, 2017","format":false,"excerpt":"The new \"China Channel\" of the LA Review of Books has published Eleanor Goodman's review of A New Literary History of Modern China, edited by David Der-Wei Wang \u738b\u5fb7\u5a01. An enthusiastic review, Goodman writes: one theme of the book is the importance of inclusivity, exchange, and communication to understanding trends\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chinachannel.org\/wp-content\/uploads\/2017\/10\/lithist.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":613,"url":"https:\/\/xichuanpoetry.com\/?p=613","url_meta":{"origin":2700,"position":4},"title":"More China Daily on Xi Chuan [a\/k\/a &#8220;Xichuan&#8221;]","author":"Lucas Klein","date":"January 14, 2012","format":false,"excerpt":"Under the title \"None the verse\" (a headline I first found lame, but after a bit more reflection find reveals something interesting about Xi Chuan's writing) is another China Daily article on Xi Chuan and his career in poetry. It took me so long to find it because it refers\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"None the verse","src":"https:\/\/i0.wp.com\/www.chinadaily.com.cn\/usa\/attachement\/jpg\/site181\/20091020\/2009-10-20_6286.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4639,"url":"https:\/\/xichuanpoetry.com\/?p=4639","url_meta":{"origin":2700,"position":5},"title":"Chinese Literature Today free for Women in Translation Month","author":"Lucas Klein","date":"August 28, 2019","format":false,"excerpt":"Chinese Literature Today, free for Women in Translation month The current issue of Chinese Literature Today is free throughout August for Women in Translation month. The main feature of the issue is of Newman Prize Laureate, the Hong Kong writer Xi Xi \u897f\u897f, with introductions, appreciations, interviews, and new translations\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"Image result for chinese literature today","src":"https:\/\/i0.wp.com\/www.tandfonline.com\/doi\/cover-img\/10.1080\/uclt20.v008.i01?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/2700"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2700"}],"version-history":[{"count":3,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/2700\/revisions"}],"predecessor-version":[{"id":2702,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/2700\/revisions\/2702"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}