{"id":2605,"date":"2014-05-07T09:30:36","date_gmt":"2014-05-07T01:30:36","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=2605"},"modified":"2014-04-25T09:57:54","modified_gmt":"2014-04-25T01:57:54","slug":"heather-inwood-in-china-today-does-poetry-still-matter","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=2605","title":{"rendered":"Heather Inwood: In China today, does poetry still matter?"},"content":{"rendered":"<p><em><a href=\"http:\/\/uwpressblog.com\/2014\/04\/24\/in-china-today-does-poetry-still-matter\/\" target=\"_blank\"><img decoding=\"async\" class=\"wp-image-751 size-thumbnail alignleft\" alt=\"Verse\" src=\"http:\/\/uwpressblog.files.wordpress.com\/2014\/04\/verse.jpg?w=150&#038;h=150&#038;resize=150%2C150\" data-recalc-dims=\"1\" \/><\/a><\/em>In advance of her <em><a href=\"http:\/\/www.washington.edu\/uwpress\/search\/books\/INWVER.html\" target=\"_blank\">Verse Going Viral: China\u2019s New Media Scenes<\/a><\/em>, Heather Inwood <a href=\"http:\/\/uwpressblog.com\/2014\/04\/24\/in-china-today-does-poetry-still-matter\/\" target=\"_blank\">blogs <\/a>for University of Washington Press on the place of poetry in China today. Here&#8217;s how she concludes:<\/p>\n<blockquote><p>Yet the move toward accessibility hasn\u2019t always pleased the public. Making written poetry sound like everyday speech was supposed to facilitate communication between poets and their audiences. Instead, it appears to have prompted a large swathe of China\u2019s online population to adopt a gatekeeping mentality of their own, complaining that poems that are too easily understood don\u2019t deserve the title of \u201cpoetry.\u201d In doing so, they inadvertently address the question I began with. Does poetry still matter? If the question is being asked in the first place, I would venture that we already know the answer.<\/p><\/blockquote>\n<p>Click the image above for the full post.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In advance of her Verse Going Viral: China\u2019s New Media Scenes, Heather Inwood blogs for University of Washington Press on the place of poetry in China today. Here&#8217;s how she concludes: Yet the move toward accessibility hasn\u2019t always pleased the &hellip; <a href=\"https:\/\/xichuanpoetry.com\/?p=2605\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3],"tags":[784],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-G1","jetpack-related-posts":[{"id":3035,"url":"https:\/\/xichuanpoetry.com\/?p=3035","url_meta":{"origin":2605,"position":0},"title":"Heather Inwood at China Digital Times","author":"Lucas Klein","date":"February 23, 2015","format":false,"excerpt":"The China Digital Times interviews Heather Inwood over her new book, Verse Going Viral (University of Washington Press, 2014). Here's a sample Q & A: CDT: Your book addresses the question of whether Chinese poetry is a \u201cliterature in crisis\u201d in a \u201cpoetry country.\u201d Other nations also pride themselves on\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chinadigitaltimes.net\/wp-content\/uploads\/2015\/01\/at-Emmas-wedding_2-243x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2609,"url":"https:\/\/xichuanpoetry.com\/?p=2609","url_meta":{"origin":2605,"position":1},"title":"Heather Inwood&#8217;s Verse Going Viral","author":"Lucas Klein","date":"May 5, 2014","format":false,"excerpt":"New from University of Washington Press--Heather Inwood's Verse Going Viral: China\u2019s New Media Scenes. Verse Going Viral examines what happens when poetry, a central pillar of traditional Chinese culture, encounters an era of digital media and unabashed consumerism in the early twenty-first century. Heather Inwood sets out to unravel a\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3320,"url":"https:\/\/xichuanpoetry.com\/?p=3320","url_meta":{"origin":2605,"position":2},"title":"Heather Inwood on Chinese Poetry in the Age of the Internet","author":"Lucas Klein","date":"January 11, 2016","format":false,"excerpt":"The newest issue of Chinese Literature Today features Heather Inwood on \"Poetry for the People? Modern Chinese Poetry in the Age of the Internet.\" Here's a pull quote: In China, existing discussions of media gatekeeping focus overwhelmingly on questions related to free speech and government censorship. It is important to\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ou.edu\/clt\/05-01\/images\/inwood-Verse-Going-Viral.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2666,"url":"https:\/\/xichuanpoetry.com\/?p=2666","url_meta":{"origin":2605,"position":3},"title":"Power to the People? Heather Inwood on Contemporary Chinese Poetry at HKU","author":"Lucas Klein","date":"June 23, 2014","format":false,"excerpt":"This paper adopts a cultural studies lens to examine the often fraught relationship between China\u2019s poetry scenes and members of the public, exploring key media dynamics and social practices that shape the writing, publication, and reception of modern Chinese poetry in the age of the Internet. I argue that so-called\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1325,"url":"https:\/\/xichuanpoetry.com\/?p=1325","url_meta":{"origin":2605,"position":4},"title":"Heather Inwood on Yi Sha","author":"Lucas Klein","date":"October 29, 2012","format":false,"excerpt":"Heather Inwood of Ohio State University has written an introduction to the work of Yi Sha \u4f0a\u6c99, \"lower-body\" \u4e0b\u534a\u8eab and \"post-colloquial writing\"\u00a0\u540e\u53e3\u8bed\u5199\u4f5c poet. Here's a sample of what she says: Although his profession as a writer and a college professor makes Yi Sha an intellectual in his own right, his\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ou.edu\/clt\/02-02\/images\/Yi-Sha_2007TinekeDeLange.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3771,"url":"https:\/\/xichuanpoetry.com\/?p=3771","url_meta":{"origin":2605,"position":5},"title":"Stand interview with Chinese Poetry Translators","author":"Lucas Klein","date":"May 24, 2017","format":false,"excerpt":"The current issue of Stand magazine features an interview with Chinese poetry translators Eleanor Goodman, Canaan Morse, and Heather Inwood--and the translations they've curated for the issue. In answer to the question \"What kind of poetry translates best and is any simply \u2018untranslatable\u2019?\" Morse writes: CM: Let\u2019s not wrongly ascribe\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/2605"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2605"}],"version-history":[{"count":3,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/2605\/revisions"}],"predecessor-version":[{"id":2608,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/2605\/revisions\/2608"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2605"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2605"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}