{"id":1889,"date":"2013-04-30T09:00:51","date_gmt":"2013-04-30T01:00:51","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=1889"},"modified":"2013-04-30T09:32:46","modified_gmt":"2013-04-30T01:32:46","slug":"scholarly-review-of-chinese-studies-in-north-america-free-download","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=1889","title":{"rendered":"Scholarly Review of Chinese Studies in North America–free download"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Click <\/a>to download the free e-book.<\/p>\n","protected":false},"excerpt":{"rendered":"

Click to download the free e-book.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3],"tags":[1099,1101,1088,1084,1102,1089,1081,1098,1094,1086,1079,1076,1083,1085,1095,1087,1080,1096,1082,1078,1090,1100,1092,1097,1091,1093,1077],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-ut","jetpack-related-posts":[{"id":2705,"url":"https:\/\/xichuanpoetry.com\/?p=2705","url_meta":{"origin":1889,"position":0},"title":"Zhou Yaping & J. H. Prynne","author":"Lucas Klein","date":"July 21, 2014","format":false,"excerpt":"Xiucai Zheng has published some of the first correspondence between Original \u539f\u6837 poet Zhou Yaping\u00a0\u5468\u4e9a\u5e73 and J H Prynne of the Cambridge School, excerpted from Original: Chinese Language-Poetry Group, a special edition of Parataxis: Modernism and Modern Writing 7 [1995]. Get a load of this. From Zhou: It must be\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":378,"url":"https:\/\/xichuanpoetry.com\/?p=378","url_meta":{"origin":1889,"position":1},"title":"Caging a Monster","author":"Lucas Klein","date":"November 22, 2011","format":false,"excerpt":"Xi Chuan discussed the state of publishing in China and read his co-translations of Norwegian poet Olav H. Hauge with Harald B\u00f8ckman during Chinese Literature Week at Norway's Litteraturehuset--with \"around 4,000 attendees at 30-some events,\" according to Paper Republic's Eric Abrahamsen--but what seems to have been the most newsworthy event\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3569,"url":"https:\/\/xichuanpoetry.com\/?p=3569","url_meta":{"origin":1889,"position":2},"title":"Mazanec on Rouzer’s Hanshan Translations","author":"Lucas Klein","date":"November 2, 2016","format":false,"excerpt":"Tom Mazanec has posted about Paul Rouzer's new translation of Hanshan \u5bd2\u5c71 (Cold Mountain) for de Gruyter's Library of Chinese Humanities--now available for sale and free download. As Tom notes, some of the Hanshan corpus was \"famously translated by Gary Snyder in 1958 [and] later celebrated by Jack Kerouac in\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.degruyter.com\/doc\/cover\/9781501501913.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1917,"url":"https:\/\/xichuanpoetry.com\/?p=1917","url_meta":{"origin":1889,"position":3},"title":"EPSIANS 3 for free download","author":"Lucas Klein","date":"May 13, 2013","format":false,"excerpt":"Contents: J.H. Prynne Fragrance and Anger in Milton's Paradise Lost \/1 Li Zhimin On Gu Cheng: Rise and Fall of a Fairy Tale \/13 Zhang Pinggong Sense and Sensibility: Understanding Hughes through Cave Birds \/ 25 Zheng Jie Positioning Brecht's China in Western Intellectual Tradition \/35 Liu Zhaohui Emotion, the\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jacket2.org\/sites\/jacket2.org\/files\/imagecache\/wide_main_column\/EPSIANS%283%29Cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2719,"url":"https:\/\/xichuanpoetry.com\/?p=2719","url_meta":{"origin":1889,"position":4},"title":"Epsians #4","author":"Lucas Klein","date":"July 30, 2014","format":false,"excerpt":"Epsians #4 is now out. Here's the table of contents: Li Zeng, Cui Dan The Shaping of Chinese Modern Poetry by English Romantic Poetry: A Case Study of Xiang Zhu\u2019s Poetry \/ 1 \u00a0Liu Chun \u201cUndo Thin Hearte\u201d: The Treatment of the Ubi Sunt Theme in Medieval Penitential Lyrics \/\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jacket2.org\/sites\/jacket2.org\/files\/imagecache\/wide_main_column\/Espians-4.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3059,"url":"https:\/\/xichuanpoetry.com\/?p=3059","url_meta":{"origin":1889,"position":5},"title":"Yi Sha & Martin Winter at the Vermont Studio Center","author":"Lucas Klein","date":"March 9, 2015","format":false,"excerpt":"https:\/\/soundcloud.com\/vermont-studio-center\/vsc-reading-series-yi-sha-and-martin-winter-1052014","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/1889"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1889"}],"version-history":[{"count":2,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/1889\/revisions"}],"predecessor-version":[{"id":1891,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/1889\/revisions\/1891"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}