{"id":1812,"date":"2013-04-17T09:30:21","date_gmt":"2013-04-17T01:30:21","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=1812"},"modified":"2013-04-16T00:10:35","modified_gmt":"2013-04-15T16:10:35","slug":"jonathan-stalling-reviews-jacob-edmonds-a-common-strangeness","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=1812","title":{"rendered":"Jonathan Stalling Reviews Jacob Edmond&#8217;s A Common Strangeness"},"content":{"rendered":"<p><a href=\"http:\/\/mclc.osu.edu\/rc\/pubs\/reviews\/stalling.htm\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft\" style=\"margin-left: 5px; margin-right: 5px; border: 1px solid black;\" src=\"https:\/\/i0.wp.com\/mclc.osu.edu\/rc\/pubs\/reviews\/edmond.jpg?resize=183%2C271\" alt=\"200\" width=\"183\" height=\"271\" border=\"1\" hspace=\"5\" data-recalc-dims=\"1\" \/><em>MCLC <\/em><\/a>has published Jonathan Stalling&#8217;s review of Jacob Edmond&#8217;s <a href=\"http:\/\/commonstrangeness.wordpress.com\/\" target=\"_blank\"><em>A Common Strangeness: Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature<\/em><\/a>. Here&#8217;s how it begins:<\/p>\n<blockquote><p>To begin with, Jacob Edmond&#8217;s new book, <em>A Common Strangeness<\/em>, is anything but common and signals what I hope will be a new trend toward more ambitious studies of late-modernist to contemporary poetics on a global scale. While it might be premature to announce the arrival of a &#8220;global poetics,&#8221; there is a pressing need for a space to explore this genre specific cognate of World Literature, a space to reimagine what in China operates under the title: comparative poetics (<span>\u6bd4\u8f83\u8bd7\u5b66<\/span>). This is a robust area of academic research in China, yet it tends to reduce poetry and poetics to the pre WWII traditional canon: Plato, Aristotle, and Longinus; Sidney, Pope, and Johnson; Wordsworth, Coleridge, and Emerson; Poe, Arnold, and Eliot; and perhaps Frost, Williams, Hughes, and, because it is China, Pound. In English literary criticism today, however, the term &#8220;poetics&#8221; often demarks poetry discourses consciously connected to avant-garde practice along the vectors of a more radical canon: Blake, Whitman, Stein, Pound, Zukofsky, Olson, Mac Low\/John Cage to Susan Howe, Lyn Hejinian and others associated with the so-called LANGUAGE poets from the 1970s forward through neo-conceptual poetry, etc &#8230; One should also mention that scholars tracking trends in contemporary poetics in the West have remained problematically Anglophonocentric and have largely failed to attend to poetic shifts on a global scale unless such shifts are explicitly conversant in the idioms of innovative English-based poetics (including those within the Sinophone sphere). So while no single volume could ever hope to connect the multitudinous and heterogeneous threads of a &#8220;global poetics,&#8221; <em>A Common Strangeness<\/em> succeeds in moving in this direction in part by offering a critical lens (strangeness) through which to view poetry on a global scale.<\/p><\/blockquote>\n<p>Click the image above for the full review.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MCLC has published Jonathan Stalling&#8217;s review of Jacob Edmond&#8217;s A Common Strangeness: Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature. Here&#8217;s how it begins: To begin with, Jacob Edmond&#8217;s new book, A Common Strangeness, is anything but common and signals what I &hellip; <a href=\"https:\/\/xichuanpoetry.com\/?p=1812\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[16],"tags":[1044,1042,66,50,1045,27,1055,356,1048,38,1054,1056,354,1057,210,1050,1043,267,357,1051,1052,1041,1047,927,1046,671,1049,812,1053,315,21],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-te","jetpack-related-posts":[{"id":2062,"url":"https:\/\/xichuanpoetry.com\/?p=2062","url_meta":{"origin":1812,"position":0},"title":"Three Reviews of Jacob Edmond&#8217;s A Common Strangeness","author":"Lucas Klein","date":"July 9, 2013","format":false,"excerpt":"Three new reviews of Jacob Edmond's A Common Strangeness have appeared. Brian Reed's \"Chances of Rhyme\": The words transnational and globalization appear frequently within scholarship on contemporary poetry, but so far there have been few sustained attempts to narrate recent developments across more than two language-groups or geographical regions. ...\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-scbv1Njt6jI\/UaT9TAqCXnI\/AAAAAAAAAz4\/4okyQ_BQiZU\/s320\/edmond.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1774,"url":"https:\/\/xichuanpoetry.com\/?p=1774","url_meta":{"origin":1812,"position":1},"title":"Vitaly Chernetsky reviews Jacob Edmond&#8217;s A Common Strangeness","author":"Lucas Klein","date":"March 27, 2013","format":false,"excerpt":"Vitaly Chernetsky has reviewed Jacob Edmond's A Common Strangeness. It begins: Jacob Edmond has written a remarkable book\u2014impassioned, theoretically astute, and timely\u2014that deserves to garner significant response across many fields in the humanities. The tasks it sets to accomplish\u2014and succeeds admirably in doing so\u2014are manifold. First, it presents a compelling\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/commonstrangeness.files.wordpress.com\/2011\/08\/edmond_cover1.jpg?w=350&h=200&crop=1","width":350,"height":200},"classes":[]},{"id":709,"url":"https:\/\/xichuanpoetry.com\/?p=709","url_meta":{"origin":1812,"position":2},"title":"Jacob Edmond&#8217;s Common Strangeness Blog","author":"Lucas Klein","date":"February 10, 2012","format":false,"excerpt":"Poetry translator and scholar Jacob Edmond has a new blog to promote his forthcoming book, A Common Strangeness: Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature (forthcoming from Fordham University Press). Using Walter Benjamin's take on Baudelaire and fl\u00e2nerie to take a new look at World Literature, Edmond reads Chinese poets Yang\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/commonstrangeness.files.wordpress.com\/2011\/08\/edmond_cover1.jpg?w=350&h=200&crop=1","width":350,"height":200},"classes":[]},{"id":1869,"url":"https:\/\/xichuanpoetry.com\/?p=1869","url_meta":{"origin":1812,"position":3},"title":"Jacob Edmond on Cosima Bruno on Yang Lian\u2019s Poetry through Translation","author":"Lucas Klein","date":"April 29, 2013","format":false,"excerpt":"from Jacob Edmond's A Common Strangeness blog: I\u2019d like to draw your attention to a book published by Cosima Bruno and described below, entitled Between the Lines: Yang Lian\u2019s Poetry through Translation. Bruno\u2019s book makes a case for studying translations as a method of reading poetry. I\u2019m mentioning the book\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2260,"url":"https:\/\/xichuanpoetry.com\/?p=2260","url_meta":{"origin":1812,"position":4},"title":"A Common Strangeness runner-up for ASAP 2013 Prize","author":"Lucas Klein","date":"November 1, 2013","format":false,"excerpt":"Jacob Edmond's A Common Strangeness has been named runner-up for the Association for the Study of the Arts of the Present 2013 Book Prize. ASAP\u2019s citation reads: In this remarkable book, comparative literature outdoes itself, becoming fully contemporary and transnational: Edmond innovates a genuinely global poetics that discovers the fullest\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1189,"url":"https:\/\/xichuanpoetry.com\/?p=1189","url_meta":{"origin":1812,"position":5},"title":"Nicholas Reid on Jacob Edmond&#8217;s A Common Strangeness","author":"Lucas Klein","date":"September 17, 2012","format":false,"excerpt":"Nicholas Reid has reviewed Jacob Edmond's study of world literature & contemporary Chinese, Russian, and American poetry, A Common Strangeness. Here's how it begins: In the lives of poets, as in the lives of most other people, there has been a great change of consciousness worldwide over the last three\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-qrR_t5xmQy8\/UEgUINFi0LI\/AAAAAAAAAcw\/rPAx0dEhjWs\/s320\/Edmond_ACommonStrangeness.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/1812"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1812"}],"version-history":[{"count":6,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/1812\/revisions"}],"predecessor-version":[{"id":1864,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/1812\/revisions\/1864"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}