{"id":1064,"date":"2012-07-28T10:50:42","date_gmt":"2012-07-28T02:50:42","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=1064"},"modified":"2012-07-28T10:50:42","modified_gmt":"2012-07-28T02:50:42","slug":"yunte-huangs-shi-a-radical-reading-of-chinese-poetry","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=1064","title":{"rendered":"Yunte Huang&#8217;s SHI: A Radical Reading of Chinese Poetry"},"content":{"rendered":"<div class=\"field field-type-filefield field-field-image-feature\">\n<div class=\"field-items\">\n<div class=\"field-item odd\">\n<figure><a href=\"https:\/\/jacket2.org\/commentary\/shi-radical-reading-chinese-poetry-yunte-huang\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"imagecache imagecache-wide_main_column imagecache-default imagecache-wide_main_column_default alignleft\" src=\"https:\/\/i0.wp.com\/jacket2.org\/sites\/jacket2.org\/files\/imagecache\/wide_main_column\/shicover.jpg?resize=299%2C445&#038;ssl=1\" alt=\"\" width=\"299\" height=\"445\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<p>On his blog at Jacket2 <a href=\"http:\/\/en.wikipedia.org\/wiki\/Charles_Bernstein\" target=\"_blank\">Charles Bernstein<\/a> has posted Yunte Huang&#8217;s \u9ec3\u904b\u7279introduction to his 1997 book <a href=\"https:\/\/jacket2.org\/commentary\/shi-radical-reading-chinese-poetry-yunte-huang\" target=\"_blank\"><em>SHI: A Radical Reading of Chinese Poetry<\/em><\/a>. <a href=\"http:\/\/yuntehuang.com\/\" target=\"_blank\">Huang<\/a> has since become one of the foremost figures in Chinese &#8211; American literary studies, translating Ezra Pound and <a href=\"http:\/\/www.books.com.tw\/exep\/prod\/booksfile.php?item=0010504186\" target=\"_blank\">Michael Palmer<\/a> into Chinese, and writing the scholarly books <em>Transpacific Imaginations<\/em> and <em>Transpacific Displacement<\/em>, as well as the recent <em>Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History. <\/em>Here&#8217;s how Huang&#8217;s intro to <em>SHI<\/em> begins:<\/p>\n<blockquote><p>This book is not an attempt to grasp the \u201cessence\u201d of Chinese poetry, nor is it an endeavor to produce an over-polished version of English that claims aesthetic superiority over other works in the same field. It grapples rather with the nature of translation and poetry, and explores poetic issues from the perspective of translation and translation issues from the perspective of poetry. Looking from such a vantage point, translation is no longer able to hide itself in our blind spot; instead, the often-invisible face of translation is being brought to the foreground of poetic texture and the traces of translation\u2019s needle work are being exposed to the reader\u2019s view. With its agenda hidden, translation is too often a handyman for the metaphysical, mystical, or universal notion of poetry. When emerging from obscurity, translation becomes an ally with poetic material and enacts the wordness of the words. And this book strives to strengthen the alliance between translation and poetry through various textual and conceptual means that I will discuss now.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>On his blog at Jacket2 Charles Bernstein has posted Yunte Huang&#8217;s \u9ec3\u904b\u7279introduction to his 1997 book SHI: A Radical Reading of Chinese Poetry. Huang has since become one of the foremost figures in Chinese &#8211; American literary studies, translating Ezra &hellip; <a href=\"https:\/\/xichuanpoetry.com\/?p=1064\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3,16],"tags":[27,667,38,577,666],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-ha","jetpack-related-posts":[{"id":2133,"url":"https:\/\/xichuanpoetry.com\/?p=2133","url_meta":{"origin":1064,"position":0},"title":"A Closer Look at Yunte Huang&#8217;s SHI","author":"Lucas Klein","date":"August 1, 2013","format":false,"excerpt":"Gina Elia: A Closer Look at Yunte Huang's SHI Huang\u2019s book of translations, SHI: A Radical Reading of Chinese Poetry, clearly identifies itself as, in part, a response to the Fenollosa\/Pound argument concerning Chinese poetry and its proper translation. However, the primary purpose of the work, as Huang states in\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jacket2.org\/sites\/jacket2.org\/files\/imagecache\/wide_main_column\/shicover_0.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4873,"url":"https:\/\/xichuanpoetry.com\/?p=4873","url_meta":{"origin":1064,"position":1},"title":"Huang Yunte&#8217;s Che Qianzi Shortlisted for Stryk Prize","author":"Lucas Klein","date":"September 21, 2020","format":false,"excerpt":"Huang Yunte's translation of Che Qianzi's No Poetry has been shortlisted for the Lucien Stryk Prize The American Literary Translators Association (ALTA) has announced the shortlist for the 2020 Lucien Stryk Asian Translation Prize: Hysteria, by Kim Yideum, translated from the Korean by Jake Levine, Soeun Seo, and Hedgie Choi\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i2.wp.com\/polymorpheditions.com\/wp-content\/uploads\/2019\/09\/No-poetry-front-cover-2-e1570062380214.jpg?fit=829%2C1200&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2969,"url":"https:\/\/xichuanpoetry.com\/?p=2969","url_meta":{"origin":1064,"position":2},"title":"CAAP in Shanghai","author":"Lucas Klein","date":"December 23, 2014","format":false,"excerpt":"The Chinese \/ American Association of Poetry and Poetics (CAAP) conference just wrapped up last week in Shanghai, featuring Marjorie Perloff, Tan Lin \u6797\u8c2d, Yunte Huang \u9ec4\u8fd0\u7279, Charles Bernstein, Tammy Ho \u4f55\u9e97\u660e, and many others.Here's a link to the .pdf program of what we missed.","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jacket2.org\/sites\/jacket2.org\/files\/imagecache\/wide_main_column\/CAAP-2014_0.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4098,"url":"https:\/\/xichuanpoetry.com\/?p=4098","url_meta":{"origin":1064,"position":3},"title":"Huang on Cai&#8217;s How to Read Chinese Poetry in Context","author":"Lucas Klein","date":"June 18, 2018","format":false,"excerpt":"Over at China Channel, Yunte Huang's enthusiastic review of How to Read Chinese Poetry in Context: Poetic Culture from Antiquity Through the Tang, edited by Zong-qi Cai, is now live. Huang writes: It may come as no surprise to scholars well versed in Sinology, but the central thesis that emerges\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i1.wp.com\/chinachannel.org\/wp-content\/uploads\/2018\/06\/pasted-image-0-15.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3220,"url":"https:\/\/xichuanpoetry.com\/?p=3220","url_meta":{"origin":1064,"position":4},"title":"On the Mountain: Two versions of Wang Wei","author":"Lucas Klein","date":"June 29, 2015","format":false,"excerpt":"The online mag. I recently came across an old page on Hilobrow, starting with this: The Taiyi summit\u00a0\u00a0\u00a0\u00a0 nears the seat of heaven linked mountains\u00a0\u00a0\u00a0\u00a0 stretch to brink of sea and The Taiyi summit nears the seat of heaven; linked mountains stretch to brink of sea. Two versions of the\u2026","rel":"","context":"In &quot;Links&quot;","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/hilobrow.com\/wp-content\/uploads\/2011\/10\/IMG_0210-e1318777219383.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":115,"url":"https:\/\/xichuanpoetry.com\/?p=115","url_meta":{"origin":1064,"position":5},"title":"Forrest Gander&#8217;s Introduction of Xi Chuan &#038; Zhou Zan","author":"Lucas Klein","date":"October 14, 2011","format":false,"excerpt":"The night of October 10 (the hundred-year anniversary of the Xinhai Revolution \u8f9b\u4ea5\u9769\u547d that ended the Qing Dynasty \u6e05\u671d), Forrest Gander introduced Xi Chuan, Zhou Zan, Marilyn Chin, and Li-young Lee at Manhattan's 92nd St. Y. Here's the text of his introduction: This occasion is as much a celebration of\u2026","rel":"","context":"In &quot;Publications&quot;","block_context":{"text":"Publications","link":"https:\/\/xichuanpoetry.com\/?cat=12"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/1064"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1064"}],"version-history":[{"count":1,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/1064\/revisions"}],"predecessor-version":[{"id":1065,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/1064\/revisions\/1065"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}