{"id":1031,"date":"2012-07-12T09:52:16","date_gmt":"2012-07-12T01:52:16","guid":{"rendered":"http:\/\/xichuanpoetry.com\/?p=1031"},"modified":"2012-07-12T09:53:28","modified_gmt":"2012-07-12T01:53:28","slug":"liu-qian-reviews-jonathan-stallings-yingelishi","status":"publish","type":"post","link":"https:\/\/xichuanpoetry.com\/?p=1031","title":{"rendered":"Liu Qian reviews Jonathan Stalling’s Yingelishi"},"content":{"rendered":"

\"Yingelishi\"<\/a>Following up on her interview <\/a>with Jonathan Stalling, World Literature Today<\/em><\/a> has published Liu Qian’s \u5218\u5029 review of Yingelishi<\/em><\/a>. Here’s how it begins:<\/p>\n

Our appreciation of poetry almost always takes place within a single language. Although poems written in one language can be translated into other languages, often-translated poems lose their unique prosody, images, and culturally specific significance. From this perspective, Jonathan Stalling\u2019s new book, Yingelishi<\/em>, can be regarded as a crucial breakthrough. This book of poetry wanders freely between Chinese and English, leaping over the gap between sound and meaning, providing its readers with an experience virtually unprecedented as the same sounds enact poetic references in both languages simultaneously.<\/p><\/blockquote>\n

Click on the image to read the full review. And here’s my review<\/a> again, for good measure.<\/p>\n","protected":false},"excerpt":{"rendered":"

Following up on her interview with Jonathan Stalling, World Literature Today has published Liu Qian’s \u5218\u5029 review of Yingelishi. Here’s how it begins: Our appreciation of poetry almost always takes place within a single language. Although poems written in one … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3,16],"tags":[210,598],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8srwF-gD","jetpack-related-posts":[{"id":3206,"url":"https:\/\/xichuanpoetry.com\/?p=3206","url_meta":{"origin":1031,"position":0},"title":"Lost Wax: Translation Through the Void","author":"Lucas Klein","date":"June 17, 2015","format":false,"excerpt":"TinFish Press announces the publication of Lost Wax: Translation Through the Void, by Jonathan Stalling. The book presents Stalling's sequence of poems about his wife Amy\u2019s work as a sculptor. These poems are translated into Chinese and back into English by members of a \u201cworkshop\u201d of eight fellow translators--Zhou Yu,\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tinfishpress.com\/wp-content\/uploads\/2015\/04\/Stalling-Cover.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3511,"url":"https:\/\/xichuanpoetry.com\/?p=3511","url_meta":{"origin":1031,"position":1},"title":"Bem on Stalling’s Lost Wax","author":"Lucas Klein","date":"June 6, 2016","format":false,"excerpt":"Queen Mob's Teahouse now features Greg Bem's review of Lost Wax, poems by Jonathan Stalling with Chinese and English re-translations by Zhou Yu, Yao Benbiao, Nick Admussen, Jennifer Feeley, Jami Proctor-Xu, Eleanor Goodman, Andrea Lingenfelter, and me. Here's how it ends: Moving from poem to poem, curiosity strikes me: is\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/queenmobs.com\/wp-content\/uploads\/2016\/05\/Stalling-Cover-682x1024.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2443,"url":"https:\/\/xichuanpoetry.com\/?p=2443","url_meta":{"origin":1031,"position":2},"title":"New Issue of CLEAR","author":"Lucas Klein","date":"March 12, 2014","format":false,"excerpt":"The new issue of Chinese Literature: Essays, Articles, Reviews (CLEAR) is hitting the shelves (or stacks), along with it my article \u201cIndic Echoes: Form, Content, and World Literature in Tang Dynasty Regulated Verse,\u201d Charles Laughlin's \u201cNew Translators & Contemporary Chinese Literature in English,\u201d my review of Jonathan Stalling's Shi Zhi\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":976,"url":"https:\/\/xichuanpoetry.com\/?p=976","url_meta":{"origin":1031,"position":3},"title":"Review of Jonathan Stalling’s Yingelishi","author":"Lucas Klein","date":"June 14, 2012","format":false,"excerpt":"The translation-centered webside 3% (run by Chad Post of Open Letter Books) has published my review of Jonathan Stalling's Yingelishi: Sinophonic English Poetry and Poetics. Here's how it begins: If poets are, as P. B. Shelley wrote, \u201cthe unacknowledged legislators of the world,\u201d then translation must be one of the\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.rochester.edu\/College\/translation\/threepercent\/images\/928.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1019,"url":"https:\/\/xichuanpoetry.com\/?p=1019","url_meta":{"origin":1031,"position":4},"title":"Tremolo interview with Jonathan Stalling","author":"Lucas Klein","date":"July 7, 2012","format":false,"excerpt":"Last month's Tremolo was the English version of Liu Qian's \u5218\u5029 interview with Jonathan Stalling, which had previously appeared in Chinese in the Journal of Chuxiong Normal University \u695a\u96c4\u5e08\u8303\u5b66\u9662\u5b66\u62a5. Here's the beginning (and bulk) of the interview: LQ: So you are a scholar, translator, editor, and poet. Which one of\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2953,"url":"https:\/\/xichuanpoetry.com\/?p=2953","url_meta":{"origin":1031,"position":5},"title":"Jonathan Stalling’s translingual synesthesia of Rimbaud’s Bateau Ivre","author":"Lucas Klein","date":"January 23, 2015","format":false,"excerpt":"I raced, stained by the moon\u2019s electric \u7231 \u00a0\u65e5\u5317\u56db\u5927\uff0c \u56db\u5927\u5317\u90a3\u5927 \u516b\u7231 \u00a0\u6d4a\u820c\u5440 \u4e48 \u00a0\u9a6c\u4e4c\u4e4c\u90a3\u2019\u56db \u00a0 \u5f1f\u62c9\u4e5f\u5403\u4e1d\u5361\u00a0 fragments, timbers crazed, black sea- \u53d1\u65e5\u8a00\u8a00\u54e5\u9a6c\u4e48\u90a3\u53f0\u56db\uff0c \u53f0\u4e1d\u4e1d\u9a6c\u516b\u4e48\u513f\u56db \u00a0 \u5361\u65e5\u5317\u6d4a\u56db \u00a0\u5927\uff0c \u516b\u62c9\u8a00\u5361 \u00a0 \u56db\u5f1f horses as my escort, July\u2019s battering me\u2014 \u54c8\u591f\u65e5\u56db\u4e48\u6d4a\u56db \u00a0 \u00a0\u8a00\u6d4a\u56db \u00a0 \u9a6c\u7231 \u00a0 \u4e5f\u56db\u5361\u554a\u65e5\u53f0\uff0c\u624e\u4e4c\u4e4c\u62c9\u7231\u2019 \u6d4a\u56db \u00a0 \u00a0\u516b\u8a00\u53f0\u4e48\u513f\u51b0 \u00a0 \u9a6c\u5f1f\u2014 So begins\u2026","rel":"","context":"In "Links"","block_context":{"text":"Links","link":"https:\/\/xichuanpoetry.com\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/1031"}],"collection":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1031"}],"version-history":[{"count":2,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/1031\/revisions"}],"predecessor-version":[{"id":1033,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=\/wp\/v2\/posts\/1031\/revisions\/1033"}],"wp:attachment":[{"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xichuanpoetry.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}