The tenth anniversary issue of Almost Island is now out, featuring sections of my translation of “Taj Mahal Tears” 泰姬陵之泪 by Ouyang Jianghe 欧阳江河–alongside new work by Arvind Krishna Mehrotra, John Robert Lee, Régis Bonvicino, and Valerie Mejer Caso. The editors write:
“Taj Mahal Tears” was produced from a visit by Chinese poets to India for the Almost Island Dialogues in 2009. The singular poet Ouyang Jianghe composes this poem from a confluence of streams – those of history, geography, primal emotion, and over all this the almost aerial gaze of a poet-philosopher.
Here is an excerpt:
The tears of 1632 still flow in 2009.
From a pillar of tears a Mughal prince
stands up, the form of a woman appearing in stone.
Tears flow into stone, chiseling through, reticulating,
still flowing. The mutable master of rivers and mountains, tears flow state coffers
empty, flow time itself to its terminus.
Weapons flow past with no sight of warriors.
Sitars flow past without sound of strings.
Dāru in hand, yet drunkenness flows away from the body of the drinker.
Gold, utensils, a dance of arsenic and antimony, flowing away all the same.
And memory and amnesia, and the body’s mixed emotions, nothing can suffer their flowing.
Click the image above to read the selection.