Goodman on Wang’s New Literary History of Modern China

The new “China Channel” of the LA Review of Books has published Eleanor Goodman’s review of A New Literary History of Modern China, edited by David Der-Wei Wang 王德威. An enthusiastic review, Goodman writes:

one theme of the book is the importance of inclusivity, exchange, and communication to understanding trends not just in literature, but in global affairs. Many of the writers under discussion here spent time outside of China, particularly in Japan, Europe, and the United States, or are impressively well read in foreign literatures. These essays address works that have been translated from Chinese into other languages, or works in other languages that have been translated into Chinese. Implicit in their juxtaposition, then, is also a picture of geopolitics and global history. These lines of communication were largely severed during the years of the Cultural Revolution; the essays from this period turn inward and are necessarily more political. In contrast, the essays engaging with the outward-looking years around the turns of the twentieth and twenty-first centuries demonstrate just how fundamental literature and art are to a mutually intelligible and diverse world culture. It becomes clear reading this book that one can trace the larger history of China itself across the twentieth century by looking at its literature and its writers.

And for mentions of specific entries:

Carlos Rojas writes engagingly of the “issues of gender and gender inversion” at stake in the power dynamics displayed in a novel of the early 1800s. Amy Dooling describes the “publishing sensation that unequivocally established the commercial potential of ‘the woman writer’,” a phenomenon that is a close cousin to – if not a progenitor of – the contemporary “beautiful woman writers” who today proliferate on the shelves of Chinese bookstores with their airbrushed large-eyed portraits. Maghiel van Crevel presents a powerful examination of a “‘cult’ of poetry” that romanticizes suicide among its members, the effects of which can still be seen in more recent examples like the tragic suicide of the Foxconn factory worker and poet Xu Lizhi.

and

Enjoy science fiction? Mingwei Song’s terrific piece on a “posthuman future” and contemporary Chinese sci-fi will fascinate. You want rock and roll? Read Ao Wang’s rollicking insider’s take on the “Godfather of Chinese rock ‘n roll,” the irreverent and fascinating Cui Jian. In this meticulously edited and selected anthology, there really is something for everyone. All you have to do is look.

Click on the image above for the full review.

New Cathay: Contemporary Chinese Poetry

New Cathay: Contemporary Chinese Poetry Edited by Ming Di

 

New Cathay: Contemporary Chinese Poetry

The most up-to-date anthology of contemporary Chinese poetry, translated by American poets and edited by the executive editor of the bilingual literary journal Poetry East West. Showcasing the achievement of Chinese poetry in the last twenty years, a time of tremendous literary ferment, this collection focuses on a diversity of exciting poets from the mainland, highlighting Duo Duo (laureate of the 2010 Neustadt International Prize for Literature) and Liao Yiwu (recipient of 2012 Peace Prize of the German Book Trade organization) along with not yet well-known but brilliant poets such as Zang Di and Xiao Kaiyu and younger poets Jiang Tao and Lü Yue. The anthology includes interviews with the poets and a fascinating survey of their opinions on “Ten Favorite Chinese poets” and “Ten Best-Known Western poets in China.”

Featured poets: Duo Duo, Wang Xiaoni, Bai Hua, Zhang Shuguang, Sun Wenbo, Wang Jiaxin, Liao Yiwu, Song Lin, Xiao Kaiyu, Lü De’an, Feng Yan, Yang Xiaobin, Zang Di, Ya Shi, Mai Mang, Lan Lan, Jiang Tao, Jiang Hao, Lü Yue, Hu Xudong, Yi Lai, Jiang Li, Zheng Xiaoqiong, Qiu Qixuan, and Li Shumin.

With translations by Neil Aitken, Katie Farris, Ming Di, Christopher Lupke, Tony Barnstone, Afaa Weaver, Jonathan Stalling, Nick Admussen, Eleanor Goodman, Ao Wang, Dian Li, Kerry Shawn Keys, Jennifer Kronovet, Elizabeth Reitzell, and Cody Reese.