Xi Chuan at the London Book Fair

Digital Conference catch up

The London Book Fair opens today, with China as the Guest of Honor. My friend the translator Bruce Humes compiled a list of China-related events, but his blog is down, so I’m re-posting here:

April 16

Modern Chinese Masters: The launch of two new books in translation by Annie Baobei and Li Er, together with their translators and publisher Harvey Thomlinson.

Independent Foreign Fiction Prize 2012: Shortlist Spotlight: Chinese novelist and film maker Xiaolu Guo and Director of the Edinburgh International Book Festival Nick Barley as they reflect on judging the scores of books in translation submitted for this year’s award. They will be sharing their insights into literary translation with Literary Editor of The Independent Boyd Tonkin, a long-serving judge of the Prize.

Editing China and Japan: This session will explore the joys and challenges of editing translations from Chinese and Japanese, languages and literary cultures that are unfamiliar to many editors and readers. How can editors make decisions about translation from languages they don’t know; what are the peculiarities and specificities of languages such as Chinese and Japanese; and what is the role of the translator in this process? We will hear from Harvill Secker’s publishing director Elizabeth Foley, Penguin China’s Managing Director Jo Lusby and translators Eric Abrahamsen and Michael Emmerich.

April 17

Bi Feiyu Interviewed by Rosie Goldsmith: Bi Feiyu’s novel The Moon Opera (青衣), translated by Howard Goldblatt was longlisted for the 2008 Independent Foreign Fiction Prize while Three Sisters (玉米 ,玉秀,玉秧), also translated by Goldblatt, won the 2010 Man Asian Literary Prize. In China, his awards include twice winning the Lu Xun Literary Prize, and  the 2011 Mao Dun Prize, the highest national literary award, for Massage.

Ancient Myths in Contemporary Fiction: Alai and Tsering Norbu explore why ancient myths fascinate us until today and how these timeless stories can be brought into the 21st century.

New Perspectives in Chinese and British Literature: Four Chinese writers, Tie Ning, Mo Yan, Alai and Liu Zhenyun as well as their four British counterparts will share ideas on topics such as “maintaining national characteristics in a global context”, “active and diverse literature creation in China (UK), “literature and contemporary life, “literature and social progress and development”, etc.

Chinese Children’s Literature: British readers are all too aware of the British superstars in children’s literature, such as J.K. Rowling, Michael Morpurgo or Julia Donaldson. In an attempt to find out more about the world of Chinese children’s literature, two of China’s most popular authors in this genre—Yang Hongying and  Zheng Yuanjie—join us to discuss their writing.

April 18

Contemporary Chinese Poetry: Contemporary Chinese poetry is constantly evolving, drawing both on the ancient and rich poetic tradition in China as well as on influences from around the world. Xi Chuan and Han Dong, two of China’s most celebrated contemporary poets, read from their work with fellow poet Pascale Petit and reflect on this evocative and though-provoking genre.

Bringing Chinese Poetry to the UK: Chinese poetry has a long and honourable history in English translation – it is nearly 100 years since Arthur Waley’s 170 Chinese Poems was first published. Both the Chinese classics and contemporary poetry, which has flourished in the last three decades, provide rich opportunities for Western publishers. In the last twelve months alone, several new volumes – both anthologies and single-poet volumes have been published in the UK and the USA. Nevertheless there are huge challenges: • Few poetry publishers will have in-depth knowledge of the contemporary Chinese poetry scene. Which poets will be represented? In the West, the label ‘dissident’ sells books, but what does it mean in the Chinese poetry context? • Who will do the translations? The panel will look at collaborative translating (translators + poets) as a practical and creative solution. • Promoting the unfamiliarand finding new audiences. How much contextualization is needed when introducing new poetry (whether classical or contemporary) to readers? How important are promotional events or readings, if at all? Panelists Nicky Harman, Bill Herbert, Brian Holton and Yang Lian, will discuss all this and more with chair David Constantine.

Contemporary China on the Page: Chinese society has been undergoing monumental changes and is constantly evolving under the influence of China’s changing status in the world. Chi Zijian, Feng Tang and fellow author Xinran discuss how contemporary literature is reflecting these transformations and the effect they have on the life of Chinese people today.

Rural China: Amidst rapid urbanization, the rural setting in contemporary fiction has acquired new meaning in China. Authors Mo Yan and Li Er debate with literature expert Lu Jiande the role of life outside the city in contemporary fiction, forming the background to explorations of tradition and change.

Chinese Week at Norway’s Litteraturhuset

As I mentioned yesterday, Xi Chuan flew from Hongkong to Norway, where he’s participating in Chinese Literature week at the House of Literature along with Wang Hui 汪晖, Murong Xuecun 慕容雪村, Ma Jian 马建, Leslie T. Chang, Rebecca Karl, Michael Dutton, Yiyun Li 李翊雲, Hong Ying 虹影, Mian Mian 棉棉, Xu Zechen 徐则臣, Han Song 韩松, Lan Lan 蓝蓝, Annie Baobei 安妮宝贝, Cheng Yong Xin 程永新, Zou Zou 走走, and Paper Republic‘s Eric Abrahamsen. Click here for the full schedule; the following is the list of events involving Xi Chuan (though I’m afraid one looks like it’s already in the past):

MONDAY THE 14TH OF NOVEMBER
7.30pm: Putting a Modern Face on the Classics
Discussion with Xi Chuan and Cheng Yongxin

Traces of this classic literature are also still to be found in today’s contemporary Chinese literature. What is the relationship between the classics and today’s writers, and do the latter use them in their own literature? Xi Chuan and Cheng Yongxin discuss their relationship to classic literature.
Language: Norwegian (with translation from Chinese)

THURSDAY 17TH OF NOVEMBER
8pm: Chinese Contemporary Poetry
Glimpse of the World’s Oldest Poetry Tradition

Stage conversations with Lan Lan and Xi Chuan
From early times, poetry played a far greater role in China than it did in the West. Even under the Zhou dynasty, more than a thousand years before the Western Christian Era, important political statements were often phrased as verses of famous poems. What does contemporary poetry look like in a country with such a long poetic tradition? Harald Bøckman talk with two poets about their works and the current trends in modern Chinese poetry.
Language: Norwegian (with translation from Chinese)

FRIDAY THE 18TH OF NOVEMBER
10am-2pm: From China to the World and Back: Seminar on translation
Introduction by Anna Gustafsson Chen, Eric AbrahamsenXi Chuan, Harald Bøckman, Lars Devold and others
Translating between Chinese and European languages can prove to be a difficult task when the written languages present such different linguistic structures. In Europe, Chinese literature is often translated from earlier English translations, a practice which can lead to mistakes and inaccuracies. What are the challenges one faces while translating and interpreting between Indo-European languages and Chinese? We meet up with translators who tell us about their work.
Language: English

SATURDAY THE 19TH OF NOVEMBER
8pm: An Evening of Celebration!
Readings by Yiyun Li, Lan Lan, Murong Xuecun, Cheng Yongxin, Li Er, Xu Zechen, Mian Mian, Han Song and Xi Chuan
Welcome to our evening of celebration with eleven Chinese writers, book readings and a concert. We close this Chinese literature week at the House of Literature with literary and cultural experiences. Concert with Chinese folk musician Xiaogang Zeng and Rolf-Erik Nystrøm. Host: Anna Bache-Wiig
Language: Norwegian (with translation from Chinese)