Weinberger on Hinton’s and Minford’s versions of the I Ching

‘An Ancient Chinese Poet’; colored engraving of an original Chinese scrollEliot Weinberger writes about two new translations of the I Ching (Yijing) 易經 in the NYRB:

The two latest translations of the I Ching couldn’t be more unalike; they are a complementary yin and yang of approaches. John Minford is a scholar best known for his work on the magnificent five-volume translation of The Story of the Stone … His I Ching, obviously the result of many years of study, is over eight hundred pages long, much of it in small type, and encyclopedic … It is a tour de force of erudition, almost a microcosm of Chinese civilization, much as the I Ching itself was traditionally seen.

David Hinton is, with Arthur Waley and Burton Watson, the rare example of a literary Sinologist—that is, a classical scholar thoroughly conversant with, and connected to, contemporary literature in English … Hinton’s I Ching is equally inventive. It is quite short, with only two pages allotted to each hexagram … Rather than consulted, it is meant to be read cover to cover, like a book of modern poetry—though it should be quickly said that this is very much a translation, and not an “imitation” or a postmodern elaboration.

And here’s how it ends:

One could say that the I Ching is a mirror of one’s own concerns or expectations. But it’s like one of the bronze mirrors from the Shang dynasty, now covered in a dark blue-green patina so that it doesn’t reflect at all … In the I Ching, the same word means both “war prisoner” and “sincerity.” There is no book that has gone through as many changes as the Book of Change.

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