The new issue of Cha: An Asian Literary Journal is now live, and with it my translations of two new poems by Duo Duo 多多, “A Fine Breeze Comes” 好风来 and “Light Coming from Before, Sing: Leave” 从前来的光，唱：离去.
tomorrow’s already past
the past is still unknown
already spokenthe limit belongs to you
nobody can have that name明天已经过去
Nine Dragon Island: Eleanor Goodman and Lucas Klein
Date: Wednesday 28 March 2018
Time: 7:30 – 8:45 p.m.
Venue: Kubrick Bookshop & Café
(Shop H2, Cinema Block, Prosperous Garden, 3 Public square street, Yau Ma Tei, Kowloon 3號駿發花園 H2地舖)
FREE ADMISSION | ALL ARE WELCOME
In this Cha Reading Series event, contributors Eleanor Goodman and Lucas Klein will discuss poetry, translation, and the writing of China—alongside readings from their recent and forthcoming books, including Goodman’s Nine Dragon Island (Enclave/Zephyr, 2016) and Iron Moon: Chinese Worker Poetry (White Pine, 2017), and Klein’s October Dedications: The Selected Poetry of Mang Ke (Zephyr, 2018) and translations of Li Shangyin (NYRB, 2018). Moderated by Cha co-editor Tammy Ho Lai-Ming.
Click the image above for the Facebook registration page.
Join a panel of leading translators, scholars of contemporary Chinese poetry, and translation theorists for a conversation about the state of the art in 2018. Discussion will highlight Chinese poets whose work challenges conceptions of a literary “mainstream,” in particular with respect to gender, class, and economic inequality.
Panelists Huiyi Bao 包慧怡 (Fudan), Eleanor Goodman (Harvard Fairbank Center for Chinese Studies), Lucas Klein (University of Hong Kong) and Kyoo Lee (City University of New York) will share and discuss their work in translation and in critical scholarship, ranging from the work of a pioneer of contemporary Chinese poetry like Mang Ke 芒克, co-founder of the legendary journal Jintian 今天 (1978-1980); to the workers poetry written and shared by migrant laborers across China today; to the vital writing by women in a cultural field often dominated by male poets and critics.
- Room 101, 1555 Century Avenue
- Wednesday, March 14, 2018 16:30 – 18:00
Click the image above for registration & more information.
The new issue of Asymptote is now live, featuring sections of my translation of “Taj Mahal Tears” 泰姬陵之泪 by Ouyang Jianghe 欧阳江河.
Tears about to fly. Do they have eagle wings
or take a Boeing 767, taking off on
an economic miracle? Three thousand km of old tears, from Beijing
to New Delhi skies
just like that. After time flies, can the double exposed
red and white of our minds’ oriental archaeologies
match the supersonic, withstand
sudden turbulence? Can we borrow eagle eyes to watch the sunset
dissolve inside a jellyfish like mica?
This publication also includes my translator’s note:
The poem is, of course, about the tears that fill relationships between men and women, but it is also about the relationship between god or gods and man as well as the relationship between India and China—not to mention both countries’ relationships to their histories. Parts of the poem take place in, and take advantage of, the vocabulary of fungibility and modernity; other parts excavate an archaeology of historical lexicons, including Buddhist terminology and a broad scope of literary and cultural allusion. As a translator, I had in mind the English of a handful of poets known as practitioners of ethnopoetics, investigating the deep recesses of the self at the same time as the wide resources of the planet. As Ouyang writes, “the mirror image glances back.”
Click on the image for the full excerpt
The Asian American Writers’ Workshop has collected recommendations from noted American writers and publishers for what to read of Asian literature. And unsurprisingly, Chinese poets and poetry are well-represented.
Barbara Epler, president of New Directions publishing, recommends Li Shangyin and Bei Dao, among others. She writes:
I am torn between favorites—Qian Zhongshu’s Fortress Besieged, Tanizaki’s The Maids, Li Shangyin’s Derangement of My Contemporaries, Takashi Hiraide’s The Guest Cat, Eka Kurniawan’s Beauty is a Wound, Sei Shonagon’s The Pillow Book—but finally want to choose Bei Dao’s new memoir, City Gate, Open Up. It’s a remarkably moving autobiography of this great poet, beautifully translated by Jeffrey Yang: a testament to stubbornness and endurance, City Gate, Open Up is a love letter to the Beijing of his childhood and to his family.
And Eliot Weinberger gives an even fuller syllabus, explaining, “‘Favorite Asian book’ is as impossible as ‘favorite European book’ or ‘favorite song.’ Sorry not to play by the rules of this game–and instead rattle off a long list of personal faves–but, after all, it’s 3000 years of writing in many languages and over a hundred years of translations that one would still want to read.” His list includes:
The many translations of classical Chinese poetry and philosophy by David Hinton (especially, for me: the poems of Tu Fu, T’ao Ch’ien, and Meng Chiao); Ezra Pound’s Cathay (now in a facsimile edition from New Directions) and his much-maligned masterpiece The Confucian Odes; A.C. Graham, Poems of the Late T’ang; Kenneth Rexroth & Ling Chung’s translation of the Sung Dynasty woman poet Li Ch’ing-chao; Gary Snyder, Cold Mountain Poems (Han Shan); Michèle Métail’s anthology of reversible poems, Wild Geese Returning (tr. Jody Gladding). (For more translations by Pound, Rexroth, Snyder, W.C. Williams, and Hinton, and essays by them on Chinese poetry: my The New Directions Anthology of Classical Chinese Poetry.)
As for modern and contemporary Chinese poetry: Bei Dao (various translators); Gu Cheng (tr. Joseph Allen); Xi Chuan (tr. Lucas Klein). Lastly, David Knechtges’s three-volume translation of the Wen xuan, a 6th-century anthology of the usually neglected, often ridiculed documentary poetry fu form (also Watson’s Chinese Rhyme-Prose)
It’s a lot to read!
Click on the image above for the full list.
Maram Al-Masri, from Barefoot Souls; Gabeba Baderoon, Poetry For Beginners
Javier Bello, I Decided to Dissolve
Charles Bernstein, Pinky’s Rule
John Burnside, An Essay on Mourning
Chan Chi Tak 陳滅, Hong Kong Lights 香港韶光
Chen Dongdong 陳東東, The Emperor of Poetry Translated from Conquered Nations 譯自亡國的詩歌皇帝
Chen Xianfa 陳先發 The Question of Raising Cranes 養鶴問題
Lorna Crozier, Angel of Tigers
Julia Fiedorczuk, Orion’s Shoulder
Jérôme Game, Hong Kong is Hong Kong
Hirata Toshiko 平田俊子, The Man Without Arms
Major Jackson, Heritage
Nuno Júdice, Variation on Roses
Agnes S.L. Lam 林舜玲, Poppies by the Motorway 公路旁的紅罌粟
Semezdin Mehmedinović, Functions of the Heart
Moon Chung-Hee, A Letter from the Airport
George Szirtes, Like a Black Bird
Mark Tredinnick, Egret in a Ploughed Field
Anja Utler, Counter Position
Dmitry Vedenyapin, The Faith of a Mushroom
Haris Vlavianos, Pascal’s Will
Cui Jian 崔健, Never Turning Back 死不回頭
Chow Yiu Fai 周耀輝, Androgyny 雌雄同體.
To order click the image above.
For more information on International Poetry Nights in Hong Kong, including the schedule of readings and events, go to http://www.ipnhk.com/