An evening of reading and discussion with Xi Chuan and Eliot Weinberger, introduced by their New Directions editor Jeffrey Yang. This event is part of BookExpo America’s Global Market Forum Honoring China.
The National Endowment for the Arts announced their Literary Translation Fellowships recently, with one of the fellowships going to Jeffrey Yang for his translation of City Gate Open Up 城門開, a “lyrical autobiography” by Bei Dao 北島. Here is the NEA’s announcement:
A $25,000 fellowship to Jeffrey Yang (Beacon, NY) to support the translation from the Chinese of City Gate Open Up, a lyrical autobiogaphy by poet Bei Dao. This project aims to translate the lyrical prose memoir of his childhood and adolescence in Beijing, where he was born in 1949. It is a book not only of the poet as a child, but of the metropolis itself, coming alive through the memories of its neighborhoods and residents, gardens, and temples, schools and music, and vibrant ways of life. Since the Tiananmen Square Massacre in 1989, [Bei] Dao had been living in forced exile, moving from country to country, forbidden by the Chinese government to return to his homeland. The compulsion to write this book began in 2001, when Dao was allowed back into China to see his sick father.
Click on the image above for more information about other fellowship winners, and to download The Art of Empathy, the NEA’s new collection of essays about the importance of literary translation.
Your Impossible Voice has published my “Letter from Hong Kong,” about the International Poetry Nights.
Reviewing exiled Chinese poet Bei Dao’s first full-length collection The August Sleepwalker in English in 1990, a professor quipped, “These could just as easily be translations from a Slovak or an Estonian or a Philippine poet. It could even be a kind of American poetry….”
From a certain perspective—say, that of the seventeenth century—the reviewer was right … But from the perspective of poetry today, which is to say, from the perspective of people who habitually, consciously, and conscientiously read contemporary poetry around the world, do all cultures and languages and poetries blend together?
We have not had Slovak or Estonian poets, but Albanian poet Luljeta Lleshanaku, from the 2009 festival, and Russian Arkadii Dragomoshchenko and Slovene Tomaž Šalamun, from 2011, may serve as sufficient examples, as will 2013 Filipina participant Conchitina Cruz and American Jeffrey Yang.
And then I translate Chen Maiping’s 陳邁平 Chinese translation of Aase Berg’s Swedish poetry into English, to compare against the English by Johannes Göransson.
Click on the image above for the whole piece.
Opening Ceremony and Poetry Recitation, Friday, 22 November, 7:00 – 8:30 p.m. HKICC
Raúl Zurita (Chile), Jeffrey Yang (USA), Aase Berg (Sweden), Han Dong 韓東 (China)
Performances: Violin Solo by Terry Leung 梁家輝
Moderator: Prof. Lucas Klein
Thurs, 21 November 3:00 – 4:30 p.m.
Venue: Hong Kong University of Science & Technology
Aase Berg (Sweden), Conchitina Cruz (The Philippines), Jeffrey Yang (USA), Tomasz Różycki (Poland), Un Sio San 袁紹珊 (Macau), Ye Mimi 葉覓覓 (Taiwan)
21 – 24 November, 2013
Featuring: Adonis (Syria), Aase Berg (Sweden), Conchitina Cruz (The Philippines), Menna Elfyn (Wales), Lee Seong-bok (South Korea), Tim Lilburn (Canada), Zeyar Lynn (Burma), Dunya Mikhail (Iraq), Peter Minter (Australia), Tomasz Różycki (Poland), Olvido García Valdés (Spain), Jeffrey Yang (USA), Raúl Zurita (Chile), Natalia Chan 洛楓 (Hong Kong), Han Dong 韓東 (mainland China), Lan Lan 藍藍 (mainland China), Un Sio San 袁紹珊 (Macau), and Ye Mimi 葉覓覓 (Taiwan)
click the image above for more information
Someone was impressed enough by my acceptance speech for the Lucien Stryk prize to suggest I share it here. So I am!
It’s a wonderful honor, both for me and for Xi Chuan, to be awarded the Lucien Stryk Prize for Asian poetry in translation. Any prize awarded by ALTA would be an honor, because ALTA is one of my favorite organizations to belong to—I’ve often said that literary translators are by definition interesting people, because by definition we’re interested in more than one thing. ALTA as a group and many of its members as individuals were very helpful in offering their time, patience, insight, and scolds as I worked on translating Xi Chuan, and much of my success as a translator is owed to the wisdom I gained from them.
The Lucien Stryk prize, in particular, is also a special one for me and for Xi Chuan, because of its dedication to honoring Asian poetry in translation, and the tradition of Asian poetry in translation—in addition to Asian poetry in general—was very much in my mind when translating the pieces in Notes on the Mosquito, as it was in Xi Chuan’s over the three decades in which he wrote the poems. As an undergrad English major, Xi Chuan wrote his senior thesis on Ezra Pound’s translations from Chinese, he recently published a translation of Gary Snyder’s poetry, and in many ways Xi Chuan was reintroduced to the literary history of his own culture from the attention and presentation he encountered in Pound, Snyder, and others, including Jorge Luis Borges.
I’m also especially honored to be part of the group of previous Lucien Stryk honorees—a group that already features some of my favorite translators! I find inclusion in such a group both humbling and inspiring, as the best Asian poetry in translation has always been.
I would like to extend my deepest gratitude to New Directions, to my editor Jeffrey Yang, and most of all to Xi Chuan, whose cooperation and friendship were essential to the success of this book. Until three years ago there were no single-author collections of poetry by Chinese-language poets currently living in mainland China published in the US, but now we are living in what appears to be a golden age of contemporary Chinese poetry in English translation, to match what may be a golden age of poetry in China itself. Thanks to New Directions for contributing to that golden age, and thanks to Xi Chuan for helping make that golden age in the first place!
Thank you very, very much!
New Directions editor Jeffrey Yang has a piece at The Atlantic about George Oppen & Time of Grief: Mourning Poems, an assemblage of international poetry he recently edited. Here’s how Atlantic writer Joe Fassler describes the book:
The new poetry anthology Time of Grief: Mourning Poems is an unusual, inventive take on a familiar subject: It explores grief in its various shades and incarnations. Structured like a calendar over a span of 49 days—a traditional mourning period in some Buddhist and Judaic traditions—the book includes a diverse sequence of poems written in more than 20 countries. With authors ranging from an 11th-century Chinese poet to Tomas Tranströmer, the Swedish winner of the 2011 Nobel Prize for Literature, Time of Grief presents human bereavement in unprecedented scale and scope.
Xi Chuan’s poem “Twilight” 暮色 is included in the anthology. Click here or on the image above to read the piece.