Stephen Procter on Xi Chuan & the Contradictory Aesthetics of Revolution

https://i2.wp.com/pbs.twimg.com/profile_images/811513661680394240/CB0sEUlb.jpg?resize=311%2C311&ssl=1The PN Review has published Stephen Procter’s article on Xi Chuan, “Xi Chuan & the Contradictory Aesthetics of Revolution.” Procter writes:

While potentially a contradiction might be logically fertile, assisting in the discovery of meaning, the indissolubility of the oxymoron must simply be accepted, with no meaning being made to adhere to it. As Xi Chuan points out, the latter pervade contemporary discourse, in phrases such as ‘Party-member capitalist’ and ‘Socialist Market Economy,’ and they are the linguistic legacy of the early days of communist China, which proclaimed the ‘People’s Democratic Dictatorship.’ According to Xi Chuan, Chinese literary tradition is not just a matter of immersion in the classics, but also of coming to terms with the ‘minor tradition’ of socialism which has played its own role in shaping the language.

and

Xi Chuan reflects the way in which the margins feed into the centre. As he points out, marginal annotation is the primary means through which Chinese culture has been transmitted. In ‘That Person Writing,’ it is the unnamed ancient scribe whose modifications flow into the mainstream: ‘Wittingly or not certain words are altered, wittingly or not he retains his own breath within the views of another. From a humble stenographer, he unwittingly transforms into a minor author, like an ant tethering thought’s kite against the wind.’ By focusing only on the central currents, we miss the process of accumulation through which a culture comes into being, its essential force. The life of tradition is in its transmission, not its preservation.

Click the image above for the paywalled article.

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